Murthy's Sanskrit Etymology

Murthy's Notes on the etymology of Sanskrit (Samskritam)

Dear Sanskrit (samskRutam) scholars and enthusiasts:

Language Acquisition and from Thought to Speech and Articulation.

When an alphabet is spoken or written, a concept is pronounced, even though the concept is very broad. As the following alphabet is pronounced or written, or as sometimes the send alphabet transforms the first alphabet, and may also result in the second alphabet also is transformed in combination with the first, or both the alphabets are transformed, the concept from the first alphabet is transformed into a Boolean intersection of the first two alphabets. 

It is also pertinent to note that these two alphabets are actually a language externalization of the thoughts behind in the mind who expresses it. The expression has different sequences of processes in the human brain that result finally in the alphabet and word expressions are not completely understood by modern-day scientists, as well as the scholars in India, from ancient to modern day knowledge scholars. Theories have been propounded by all these scholars which have not been empirically validated nor with a robust theory of automata paradigm. The speed at which thoughts are transformed into speech or expression in writing in the human brain and the vocal faculties, as well as the motor functions that result into writing and speech, in such coherent processes, that looks effortless. 

Studies with experimental robustness with scholars are important. In addition, experiments with how human infants learn through the years till 2 years of the child that learns only by repetitive interactions with the adults. This learning is context based trying to repeat the words heard by the infant from its iterative interactions with the adults. The trial and error approach results in increasing robustness of expressions by the infant. It is important to note that the words learned by the infant words and their contextual meanings are only stored information bits in the infant's brain, which the infant repeats based on the circumstances. The infant growing to be a child slowly accumulates the vocabulary to be able to repeat phrases to suit the circumstances. 

The child thus picks up its conversational skills, also with supplemental play very important to the child. Sense of grammar and grammatical rules are learned by the children over the ages, at home, play and school. However, it is important to note the sense of grammar and some basic grammatical rules mostly by trial and error as stored rules in the brain. All of these stages of learning applies to all languages and humans in all parts of the globe. The uniqueness of the perfect language that is Sanskrit of its perfect objected oriented property by the language architecture is not required to the single seed alphabets. All languages have their etymology to single words, even though not down to single alphabets. However, healthy grammar and its rules are learned in schools. When the children, as also preteens through teen years, even through adulthood and old age, are in play or playful mood, brain is in a special excited mood. During this excited state, humans of all ages, learn various physical and mental skills at a significantly higher rate, and with ease so much so that they are not consciously aware of this special mode of learning. Another uniqueness of this mode of learning and reinforcement is that the euphoric state of mind-body activity last hours to days after this playful mind-body state, which continues through the night even in sleep and all its sleep stages and other modes and phases of resting. This applies to learning many disciplines to include sports, athletics, yoga, music, dance, theater, arts, public speaking and especially during competitions. The miracle of this learning even extends to social service, acts of giving and philanthropy, acts of kindness to the needy and certain kinds spiritual activities including meditation.

The stages of the thoughts in the brain and their expression through speech and writing is explained by the ancient scholars in India, back to few thousand years before Christ, 

in the following stages: chitta, budhdhi, vaak and vaikhari. Creative ideas could start at a deeper stage in the brain called “sushupta”. It is the vaak = speech, and vaikhari (articulation) that is part of the stages of expression, while the stages “chitta” and “budhdhi” are required to line up the thoughts to the later stages of “vaak” and “vaikhari”. 

vi + khRu > vikhara > vaikhari

shup + ta = shupta (hidden); observe the word gupta which means secretive = gup + ta

su + shupta = sushupta = Well hidden or deep inside. This activity happen in the hypothalamus part of the brain.

chit + ta = chitta = mind

budh + dhi = budhdhi; You may know the word Buddha that means an “enlightened one,

Language Acquisition: Pathological Perspective

Even though language acquisition is a normal process from infant days, only few days or weeks from birth, born deaf and with those with speach and hearing problems, pathological studies should give the scientists some insight.

Starting from infancy, the child will have difficulty learning the language, evening visual keys could be working well for the infant and the child. The last two stages of speech and language communication : "vaak" and
"vaikhari" would be difficient either for deafness or hearing difficiciency reasons. The infant by its nature will be looking for queues to interface, interact and thus learn, in addition to the visual queues. However, the visual queues will not give any input to the infant, thus unable to acquire any sense of sound and the articulated speech from the parents and family and also from sorroundings.

WORD CREATION INTERNATIONAL

Samskritam Alphabets System Mathematics
The number of vowels in the language are 18" a, aa. i, ee, u, oo, Ru. Roo. LRu, LRoo, e, E, ai, o, O, ou, am, ah or a:
ka, cha, Ta, Tha, Pa series, each have five, thus the total is 25.

If each of these, just in principle for brute calculation sake, take the 18 vowel forms, total combination of alphabets are 25 X 18 = 450

ya, ra, la, va, sha, Sha, sa. ha, La, kSha = Total 10

If each of these, just in principle for brute calculation sake, take the 18 vowel forms, total combination of alphabets are 10 X 18 = 180

The grand total = 450 + 180 = 630

If we took only two alphabets at a time, the total combinations or permutations could be computed.

Further, if each of the 630 alphabet forms become the root object class, with one prefix and one suffix modifying it to form 3 letter words, the total combinations and permutations could also be computed.

With four, five and six letter words are created adding one more, two more or three more prefixes and suffixes, we could compute the combinations and permutations.
Just by adding the prefix letter a, for example to mara or mRu, amara, with opposite meaning creates an additional word. Similarly, sum, sam, su, nir, abhi, vi etc., as a prefix. many words give rise to additional words.

I surely know and realize that this is a brute force thinking, as some alphabets in Samskritam are difficult to modify by vowel additions, especially the ka and cha series anu naasika alphabets.

Some of you may remember that I had created over 20 years ago "Word Creation International", meant to create words with innovative permutations and combinations of alphabets in any language, and further with other languages.

Start thinking and contact me directly via email to me Dr. KRS Murthy at BigDataExpert@Gmail.Com or call me on 4084643333 or Whatsapp so that you could be part of and proud contributor working in the team, even remotely. You could contribute at your own space. You don't need too much knowledge or experience in linguistics and etymology.

You may read my blog to get some basics here:

https://murthyetymology.blogspot.com/2018/08/murthys-sanskrit-etymology.html

Get onboard just to explore.

Let us hope to make Samskritam (means perfectly done), exceedingly perfect!

Distinctive Original Contributions

My distinctive original contributions to the etymology of Sanskrit (samskRutam) is my derivations of the words from single alphabets, or reverse analytical or regressive derivation of words back to the single letter root alphabets.

State of the Corpus and its Lack of Exhaustive Degree of the Etymology of samskRutam

I have talked to many samskRutam scholars of the language, experts in linguistics, grammar and also etymology experts and scholars. While the foreign experts in these subjects understand very little, totally ignorant or intentionally ignoring the unique object-oriented structure of samskRutam, the Indian scholars have only derived from words to word combinations, or to single alphabets only in easy and obvious examples.

Complete and Holistic Approach

My goal is to establish and systematize the etymological corpus of samskRutam, deriving an exhaustive methodology for both progressive derivation of words and word combinations and regressive analytical root search from words to the single alphabet root class. While conducting these two-way research of forward and backward etymological propagation of the language corpus, I will also evaluate the exhaustive degree and completeness of the object-oriented nature of samskRutam. I will even architect, create and establish a complete set of techniques and methodologies to measure, evaluate, curate, tabulate, interpret and develop graphical and pictorial methods to enable me, other scholars and researchers who collaborate with me to test the understanding and verify of the current corpus and belief that samskRytam is created with a perfect architecture, architectural foundations and created language. If there would be any gaps in the etymological prowess of samskRutam, I will create a research team and expert committee to fix and patch the gaps.

I also want to lead an expert team for Natural Language Processing (NLP) toolset, structure and platform with an open set of features for any interested scholars and enthusiasts to contribute to the etymological corpus, grammatical features and other scholars of lsamskRutam language and linguistics. Additionally, a variety of artificial intelligence (AI), neural network (NN), corollaries of NN like DNN, RNN, CNN, machine learning (ML), scaled ML, for examples.

During and following my research and research collaborations, I would like to organize and conduct seminars by my expert team, conferences and workshops, distributed work groups in different colleges, universities, veda paaTha shaalas and also setting up Centers of Excellence (COE) in different parts of India and the world.

I have been writing my notes on the Etymology or Sanskrit (samskRutam) with etymological roots to single alphabets (aksHara). As you may already know, the language of samskRutam is not an evolved language like all languages in the world. The language was developed by a group or an expert committee of scholars, who were not happy with the language in existence and practice during that time. The scholars created an expert committee to architect a perfect language with variety and a complete set of features as the required specifications and requirements as the target. One important character of the target language would be object-oriented root letters of the alphabet suite with an object class defined and embedded in each of the alphabets with associated containment of object root concepts in the form of a knowledge corpus and root level meanings. Further, the root alphabets would be appended by a prefix or followed by a suffix, which would themselves be single alphabets. The new alphabets combination would be a derivative object class, with concepts and meanings. The rules for two or three alphabets adjoined word would include the object format intersections (as an AND function in Boolean algebra) with resulting implications of the meaning of the derivative word. Therefore, the alphabets would have implied object adjoining and intersection meanings or concept corpus, which may be different from the same alphabets when used as the starting or the seeding alphabet. In other words, each of the alphabets in samskRutam may have one object level knowledge corpus concept when used as the starting or seeding alphabet, whereas the alphabet may, and not necessarily, have different object class intersection implied object class meaning or concept corpus, when used as a prefix, which may further be different if used as a suffix.

Subsequently, the two alphabets or three alphabets resulting word may be adjoined by one more set of alphabets as the second level derivation in a prefix or suffix additions. In addition, two words of two or more alphabets each may be joined in a sequence to derive resulting longer word. The order of the sequence of the two of multiple words would or could result in different implied meanings of the resulting combined words, with different meanings for the resulting order of the sequence.

Additionally, sandhi, samasa and vibhakti transformations modify the words or join two or more words, and also the create or derive the cases for the words respectively.

Please understand that this preface to my work may seem or feel like dry, whereas, the concepts will become clear with my examples in the body of my work.

GENERAL NOTES:,

1. I will create notes on the etymology of SamskRuam (I will use "sanskrit" or “samskRutam” in my writing) made up of a series of lessonettes.

2. I have chosen to write in English alphabets only at this time, not using the dEvanaagari script, or other scripts of languages like Kannada, Telugu, Malayalam, Hindi, Marathi, Gujarati, Bengali, Punjabi etc.

3. Feel free to insert words and alphabets written in your favorite languages.

4. You will and should get credit for supplementing my lessonettes by adding words or texts in your favorite languages.
Note that I understand and have different levels of abilities in many of the Indian languages.

Important in Sanskrit

vowels dropped out in Sanskrit from their origin and also Murthy's analysis on alphabet transformation when vowels and consonants are conjoined.

Sri Murthy Krs Murthy Murthy Svec Krs Murthy

i kaara + a kaara = ya kaara
u kaara + a kaara = va kaara
Ru kaara + a kaara = ra kaara
Lu kaara

NOTE:

1. There was a vowel in Sanskrit "Lu" that came after the Ru and before e, E etc.
2. The Ru is produced as a vowel when the tongue does that touch the palette but is a progenitor vowel sound for ra in the ya, ra. la va series.
3. The Lu is produced as a vowel when the tongue does that touch the palette but is a progenitor sound for la in the ya, ra. la va series.
4. The last vowel is ah or a: This is the last vowel letter, when pronounced the tongue, does not touch the palette. This vowel ah or a: is the progenitor vowel for ha in the ya, ra, la, va, sha, sHa, ha. La and ksHa.
5. This vowel has many more characters. This vowel in combination with the vyanjana alphabets (consonants) starting from ka series, cha series, Ta series, ta series and pa series, for example kah or k:, transforms to consonants respectively to consonants ending in s, sh or sH sound.
6. Here are some examples: k: (or kah) + chit = kashchit; pah or pa: + chima = pashchima; tah ot t: + min = tasmin; kah or k: + ma = ksHama.
7. I suspect that the very last alphabet ksHa is nothing but a derivation from k: or kah. There could be many other alphabet derivatives similarly with the following examples: khsHa, gsa, ghsa or ghsha or ghsHa, applicable to all 4 X 5 = 20 vyanjanas in the ka, cha,Ta, ta, pa series.
8. The vowel alphabet "am" has its reflecting sounds or derivatives at the 5th alphabets of all the five in the ka, cha, Ta, ta, pa series.

nru (= person or people or citizens) + pa = nrupa which refers to the king of the land ruling the citizens and the land with its resources.
nru +pati = nrupati, which refers to the king of the land ruling the citizens and the land with its resources
nru --> nara
nara + pati = narapati, which refers to the king of the land ruling the citizens and the land with its resources
naara means refers to derived from or related to nara

The word "pati" is used in different contexts; pati is a husband, while sati is the wife, pati is used for a boss or a ruler or administrator or a king.

BASICS:

In the sanskrit alphabets system, the vowels are:

a, aa (deergha); i, ee (deergha); u, oo (deergha); Ru (as in Rishi), Roo; e, E ai; o, O ou; am, aha.
NOTICE: There are two more alphabets after Ru and Roo that is not commonly taught in Sanskrit and all Indian languages. I will address them in a separate post.

NOTICE: na transforms to its deerha akshara version naa
In mahaabharata, arjuna is referred to as nara, the man;
krishNa (krushNa) is referred to as naaraayaNa
nara + simha = narasimha

GENERAL FORMULA: Transformations for:
refers to derived from or related to for other vowel alphabets or vyanjana alphabets:

a transforms to aa as in the following example:

dasharatha --> daashrathi (This transformed word refers to anything derived from or related to, however it refers to dasharatha king's son raama. However, in general, it could refer to all children of the king dasharatha including lakshmaNa, bharata and shatrughna. It may also be used to even a special elephant or horse that belongs to King dasharatha and especially he very proud of the royal pride animals.

rama --> raama
The root alphabet is ram, which is an am version of the vyanjana ra. ram means happiness, and few affiliated means like pleasure etc.

GENERAL BASICS:

The sanskrit language is a perfect object-oriented language in the world. The individual letter roots have very broad conceptual meaning and references, the perfect inclusion of all derivatives from the root letter. daughter or derivative object class from the ultimate basics root alphabets of sanskrit by the following:

1. Adding an alphabet before or after the root alphabet creates a derivative or daughter object class.
2. Transformations like daasharathi from dasharatha.
3. Combining two or more words using the rules of the sanskrit language grammatical rules or formulae.

the etymology for sanskrit words could be traced to a single alphabet in the alphabet system of sanskrit.

Murthy's Notes on Etymology of Samskritam

Some alphabets have high significance and thus are repeatedly utilized in the formation of words.

Among the vowels from a, aa through am and aha, the following alphabets are utilized well in Samskritam:

1. a is the first letter of the alphabet system in Samskritam. In English, Arabic, Persian, and Hebrew also aleph is the first letter which denotes the a sound,

2. I "amara kOsha" the Thesaurus of synonyms starts with the word "amara", which word also starts in a.

3. a is used in Samskritam to obtain the opposite of words as a prefix. The word "amara" refers to someone or something that will never die, where as "mara" refers to one which dies, sometime in the future or the end.

4. The English vowel a is also added as a prefix in similar usage value of obtaining the opposite. For example, "apolitical" is the opposite of "political". There are numerous examples of the usage of the vowel a in Samskritam and also English in a similar application.

5. "nir" is also used as a prefix to obtain the opposite of words. The second word in "amara kOsha" is "nirjara", which is the opposite of "jara". "jara" means something that is temporary or that ceases to exist in the future. Incidentally, the kannaDa word "jare" refers to condemn or kill. The abstract nounform of "jare" in kannaDa is "jareyuvudu". You will see usage of the word in "haLegannaDa", the old classical language version in Kannada. You may refer to many legendary poets in Kannada like "kumaara vyaasa, pampa, ranna, janna. doryOdhana is known with the character who condemns many people through out his life. The name "jaraasandha" in Mahabharatha originates with the root alphabet "jRu", which is the parent or grandparent alphabet in the object-oriented etymological system of the great classical language Samskritam. I will explain the word "jaraaasandha" and the character in Mahabharatha in detail in future etymological notes.

6. At this time, just understand the following parts of the word and the derivate paths of "jaraasandha: jara + aa + sandha. aasandha = of or related to or derived from "asandha = a + sandha.

7. The seed vowel in Samskritam "aa" is used to derive "related" meaning by converting a to aa.

8. Examples: of the usage and conversion to the deergha vowel "aa"

8 (a). Of or related to rama is raama.

8 (b): Of or related to the King dasharatha is daasharathi

9. The alphabet "ta" as in Geeta" or "mRuta", The root alphabet "gee" is the grandparent in the object class for poetry, singable or music worthy. By adding "ta" as a suffix to gee, geeta is derived or formed. Further, by adding a prefix to geeta, "sangeeta" is derived.

9 (a). The word "gEya" means one that is sung. The vowel "ee" transforms to "Eya", which transformation is only one ecample of a series of such transformations within the vowel family of Samskritam.

10 (a) The hrasva vowel a transforms to the deergha vowel. aa

10 (b) The vowel i transforms to hrasva e

10 (c) The deergha ee transforms to deergha E

10 (d) I will discuss other vowels with examples.

11. The root alphabet mRu with ta added as a suffix derives to mRuta. mRu is the grandparent single alphabet object class referring to earth and aspects of the earth. mRuta means dead or returned to the earth. mRut + bhaanDa (pot) = mrutbhaanDa (earthen pot). mrU + ga (suffix) refers to that chat navigates or walks or traverses on the earth, referring to animals and humans, for examples.

12. kha is the root grandparent object class. kha refers to the sky or outer soace. kha + ga = khaga meaning bird or even an aeroplane or even a kite or a space craft. khaga raaja refers to the garuDa, which is also the vaahana for viSHnu. The word khEchara = khE + chara (that moves) is also another word referring to a khaga. The root alphabet vah meaning flow or move or traverse leads to vahana, which is the act of flowing or flying or traversing. vahana derives to vaahana by transformation of the hrasva vowel a to aa. A bus or a train or any automobile is a vaahana.

13. The word chara is derived from the grandparent object class chRu

14. The word gamana is derived from the grandparent object class denoted by gaM + ga + am.

15. Ganapati, the son of Lord Shiva and Paarvati, the elephant head and human body, is derived from gaNa + pati meaning the lord or boss of gaNa group. gaNa coms from gaN = ga + Na. GaN is a single letter ga kaara ending with Na, which for a the single letter gaN.

16. The vowel alphabets from a, aa through am and aha are commonly know to most students and also the teachers of Samskritam and other Indian languages which follow the dEvanaagari style, however with own letter transcription as in Kannada, Telugu, Hindi etc. The vowel am has its reflections or application forms in the vyanjana series ka, cha, Ta, ta, pa. The 5th alphabet in the series of ka, cha, Ta, ta, pa like the gna, jna, Na, na and ma also could be adjoined to the vyanjana to form a single alphabet. Gam is the general root alphabet used in :Om gam gaNapatayE namah". GaN transforms or derives the word GaNa. The root gaN making up gaNa refers to the fundamental elements including partcles, energy, and space-time, which are the basic building blocks of our universe. Most of the people blindly memorize and regurgitate mantras, including shlOkas and vedas without attempting to understand the fundamentals. I hope the admirrers and worshippers of GaNapathi realize the inner and fundamental root cause of gaNapati.

Some alphabets have high significance and thus are repeatedly utilized in the formation of words.

Among the vowels from a, aa through am and aha, the following alphabets are utilized well in Samskritam:

1. a is the first letter of the alphabet system in Samskritam. In English, Arabic, Persian, and Hebrew also aleph is the first letter which denotes the a sound,

2. I "amara kOsha" the Thesaurus of synonyms starts with the word "amara", which word also starts in a.

6. At this time, just understand the following parts of the word and the derivate paths of "jaraasandha: jara + aa + sandha. aasandha = of or related to or derived from "asandha = a + sandha.

7. The send vowel in Samskritam "aa" is used to derive "related" meaning by converting a to aa.

8. Examples: of the usage and conversion to the deergha vowel "aa"

8 (a). Of or related to rama is raama.

8 (b): Of or related to the King dasharatha is daasharathi

9 (a). The word "gEya" means one that is sung. The vowel "ee" transforms to "Eya", which transformation is only one ecample of a series of such transformations within the vowel family of Samskritam.

10 (a) The hrasva vowel a transforms to the deergha vowel. aa

10 (b) The vowel i transforms to hrasva e

10 (c) The deergha ee transforms to deergha E

10 (d) I will discuss other vowels with examples.

13. The word chara is derived from the grandparent object class chRu

14. The word gamana is derived from the grandparent object class denoted by gaM + ga + am.

The vowel alphabets from a, aa through am and aha are commonly known to most students and also teachers of Samskritam and other Indian languages which follow the dEvanaagari style, however with own letter transcription as in Kannada, Telugu, Hindi etc. The vowel am has its reflections or application forms in the vyanjana series ka, cha, Ta, ta, pa. The 5th alphabet in the series of ka, cha, Ta, ta, pa like the gna, jna, Na, na and ma also could be adjoined to the vyanjana to form a single alphabet. Gam is the general for used in :Om gam gaNapatayE namah". GaN transforms or derives the word GaNa. The root gaN making up gaNa refers to the fundamental elements including partcles, energy, and space-time, which are the basic building blocks of our universe. Most of the people blindly memorize and regurgitate mantras, including shlOkas and vedas without attempting to understand the fundamentals. I hope the admirrers and worshippers of GaNapathi realize the inner and fundamental root cause of gaNapati.
Yudh = yu +dh. Yodha is formed when the u kaara in yu is transformed yO. This transformation is related to or derived from of the vowel u to O. duryOdhana = dur + yOdhana meaning the warrior who is to fight with. Yodhana is the process of the fight of the warrior or the personification pf the yOdha. DuryOdhana is also referred with the name suyOdhana, meaning good fighter.
abheeShta = abhi + isHTa meaning variety of desires or wants. Here, abhi is the prefix or qualifier or descriptor adjective to isHTa. Abhi + jita = abhijita. Jita = ji + ta. Here, ji means the process of winning, whereas the suffix ta means or refers to a past tense of the process of ji. Jita refers to someone who is already won or survived. Abhi is the qualifier to jita stating a variety of ways or instances. Abhi in abhishEka is also a qualifier meaning a variety of ways. abhivaadana = abhi +vaadana referring to a variety of vaadana. Vaadana is the process of the vaada. Vaada is a one way statement, whereas vaada – vivaada is a two wat debate.
vaada is derived from vada, by creating a related to conversion from a to aa.
vid transforms to vEda by a transformation from hrasva I to deergha E. One who has finished his or her study in veda, one or more of the vEdas, becomes vEdaanti. Vedaanta is completion to the end of the vEda.vEdaanta is the subject or status, whereas vEdaanti is the person with the accomplishment of the vEda learning and scholarship.
yam is the grandparent root object class, out of which yama is derived. Of or related to yama is obtained by a transcription to aa thus getting yaama. Similarly vya+yama = vyaayama, and further vyaayaama by the transformation of a to aa.
shRum + ga = shRunga = shRum gachchati shRunga. The correct and perfect way to write is using the fifth letter after ka, kha, ga, gha NOT the circle shaped letter we call as shoonya. Words like anka as used by the students and scholars is not perfect whereas it should use the fifth letter in the ka series by writing and pronouncing almost like “anGka” Similarly the word mangaLa should use the fifth letter and not the circle. Similarly, the word langhana should use the fifth alphabet sounding “langGhana”, where I am using “nG” to signify the firth alphabet.
Anjana also should use the fifth alphabet in the cha, cha, ja, jha series not the shoonya looking letter. Here are other words to pay attention: mancha, pancha, sinchana, sanchita, kaanchana,
bhRunga = bhrum + ga. Bhru also is the grandparent root alphabet object class, as also bhrum. bhrama, and bhramaNa are derivatives of bhrum. bhrama (in Kannada bhrame) is wandering, and for a human it is wandering mind. bhramaNa is the functioning of bhrama. BhramaNa could be a wandering animals or insects or humans. The bee (bhrunga) is especially referred to a wandering insect, as also for a butterfly, obviously in search of the nectar in the wild or a garden. Earth goes around the sun, so do other planets, which is also bhramaNa.
pRu is the grandparent level root object class. Pru is the origin alphabet for pRuthvi.
dRu = Dominance, Importance; dRu + ta = person, place or thing that has become important or dominant; Example: dRuta + raasHTra = dRutaraasHTra (the kourava patriarch king; dRuva = A mythological character of ancient India; The Pole star is called the dRuva nakshatra (star), dRupati = dRu + pati meaning important and dominant husband where pati means husband, with another meaning as one who takes care and protects or one who manages the welfare of; dRupa or dRupati could also mean a big boss or big manager or even the chief manager to include CEO, President, CTO, COO and COO, where dRu = chief; dRupaala = dRu + paala where paala is one takes care of well being, and all needs of some subjects in a kingdom, or a state or even a country. DhRupaala could apply to a governor, chief wefare officer. DhRuja = dRu + ja meaning dominantly born, with following examples: 1. Bheema big big and dominantly strong. 2. or even his giant sized son ghaTotkacha could be considered a dRuja. 3. An extremely strong person or a tall person as a basketball star, a big wrestler or a big boxer could all be “dRuja”; Here ja suffix refers to the features or character of dominance by birth, Example of super tall king and warrior in mahaabharata is syndhava. Hanuman in raamaayaNa could be categorized as a dRuja.
dRunadi = dRu + nadi (river) – Dominant or big rivers like Ganga in India, Nile in Egypt, Yangtze river in China.
dRuparvata = dRu + parvata (mountain) is a big mountain like Himalaya, Mount Everest, Mount Fuji in Japan, Peruvian mountain range.

am kaara Etymology

Here are the words that originate from am, the last but one of the Sanskritam vowels, before ah or a:

am + ka = anka; anka is chapter or a section in a book or an act in a drama. anka could also refer to the stage. A stage of life could also be referred to as anka.

anka + eeSha = ankEsha

am + ki = anki; anki is a digit in a number as used in Kannada

am + ki + ta = ankita; Example: ankita naama or pen name of a writer or poet. Indian poets have fancied using a name different from their own generally used name in their own poetry or devotional song.

am + kRu = ankura; seedling of a plant in its first stage only, as different words are used to represent a plant in later stages.

am + kusha = ankusha; ankusha is a metal hook used by mahouts to control elephants.

am + ke = anke; In Kannada "anke" is control or limits.

am + keerNa = ankeerNa; sam + keerNa = sankeerNa

? am + kOla = ankOla (a place in North Karnataka and MaharaShTra border

am + sha = amsha; amsha refers to an elemental part or essential part, or simply a part of a larger material body or a concept.

aam + la = aamla, which is an acid; Sulphuric Acid = gandhakaamla; Nitric Acid = saarajanakaamla. Notice that I am referring to the deergha aa in aam.

am kaara etymology (continued with ga suffixes)

am + ga = anga; part of the body, part of a concept, part of an object

am + gi = angi; In Kannada angi is a shirt to be worn on the body; ardhangi is used to mean a wife of a husband to mean her to be part and parcel or an integrated part of life.

am + gu + li = anguli; anguli maala is a Samskritam drama.

am + gu + Ta = anguTa > anguTi

am + gee + rasa = angeerasa (a famous Rushi). Some Brahmins has angeerasa gOtra or parental lineage to angeerasa. They are called aangeerasa.

am + kai = angai referring to the palm of the hand.

Naa kaara

Naaka = heaven
naaga = naa + ga = vakra gamanaat = something that moves in a curved locus or path or style
naaTa = movement in a curved and artistic style
naatha = Some one who has become curved / artistic
naada = Sound
naabha = Umbilical card (which is curved) and a birthing connection. Padma naabha refers to vishNu whose umbilical card from which a lotus is growing
naama = name of a person. A vertical red line decoration on the forehead.
Naala = tube
naasha = destruction
naaLa = a tube
naakSha

garbha = gRu + bha = home of birth
garbha kOsha = home of birth = womb
gRu = home
bha = birth

dRu + bha = darbha

sRu + pa = sarpa
sRu + ja + na = creative
sRuh + Ti → sRuShaTi = creation

shRu + ma = sharma

sva + Ru + ga = svarga
vRu + ga = varga
ma + Ru + ga = maarga

kEvala → kaivalya

lim + ga = linga
sam + ga = sanga
sam + gha = sangha

bham + ga = bhanga
bhRum + ga = bhRunga (
tum + ga = tunga (as in tunga river)

bha+ ja + na + bhajana

naa + vi + ka = naavika; na and naa are root level object class alphabets referring to water.

naave (in Kannada language means boat or ship.

kam and kaam root object class alphabets

kam + ka = kanka is another name for yama dharma raaja

kam + ga + na = kangana

kam + cha = kancha

kaam + cha + na = kaanchana (gold)

kam + Ta + ka = kanTaka = hurdle, as in hurdle in life, even life threatening

kam + Tha = kanTha = throat, voice; neela + kanTha = neelakanTha = blue throat = refers to shiva who decides to drink the severe poison that came out of churning of the oceans called samudra manthana
kaam + Da = kaanDa = trunk of a tree or section / chapter / episode of a story or poetry. For example, Ramayana and Mahabharata epic poetries have many kaanDas. The legendary author of Mahabharata vEda vyaasa uses 18 as his favorite or chosen number, by composing his epic poetry in 18 parva or chapters. Valmiki, the author of Ramayana uses the word kaanDa for his chapters.

ka + Na = kaNa = particle or grain. kaNa + ja = kaNaja = grain storage

kam + da = kanda = child

kaanta = kaam + ta = husband where ta is a suffix alphabet making the action or function happened.

kam + pa = kampa = vibration, quake (earth quake = bhoo kampa); kampana = abstract noun form of kampa. kampita = vibrated

kamba = kam + ba = was a great Tamil poet who composed Ramayana in Tamil.

kam + bha = kambha = pillar

kaama = kaam + a = love, sex. The name of the god of love and seduction is also called kaama.

kam + sa = kamsa = arc as in geometry. kamsa was also the devil uncle of kRuShaNa.

Ru + tha = artha; money, finance, economic (prosperity); artha, dhana, kaama, mOkSha are called chaturvidha

four types) purushaartha (valid desires for a human.). artha is also used to mean “meaning”.

aarthi is the word used for those who are seeking or desiring.

aarthika = Financial

The great sharp minded intellectual chaaNakya wrote a treatise called artha shastra = The subject of money and economics.

pa + artha = paartha (another name for arjuna

ra+ tha = ratha
pa + tha = patha

pa + Tha = paTha = read, study
pa + Tha + na = reading, studying
paaTha = lesson
kanTha paaTha = memorization through reptead reading. kanTha = voice, throat

chitra → chaitra
putra → poutra
cheena → chaina
mitra → maitra also maitri
shiva → shaiva
viShNu → vaiShNava
eeshvara → aishvarya
budhdha → boudhdha
kEvala → kaivalya
khleeda → khlaidayam

keertana = keerta + na
sam + keertana = sankeertana
keerti = reputation, fame

khee + da = kheeda → khaidi (thief, prisoner)

guDa → gowDa

gura → gowra → gowri

ghOra = very bad, awesome, extremely evil

aghOra = opposite of ghOra = no evil

pinaaka = flute

lali + ta = lalita

lali + na = lalina

kanaka = ka + na + ka

kaTaka = ka + Ta + ka

kaTa + akSha = kaTaakSha

When parents are away from their kids
work thousands of miles in big cities

Grandparents become parents again
to their own grand kids, in their old age

The children grow up to be strangers
to their own parents, as if they are orphans

bhRoo + ya → bhaarya (in Telugu and samskRutam)
bhRu + ta → bhartha (In Telugu, the word is bhartulu, where the lu suffix at the end indicates the prathama vibhakti

paari + jaata = paarijaata (a flower) where the suffix word means born.
vaari + jaata – vaarijaata or simply vaarija where the suffix ja mean born. vaari = water. vaarija is a flower born in water. In general, all beings born and even objects formed and get created in water are vaarija. All creatures in water bodies like lakes, ponds, rivers, streams, oceans and seas could be termed as vaarija. Pearls and corals are also vaarija.

Vru + ta = varta → varti also vartana
chakra + varti = chakravarti (Emperor)

yudh + a = yudha → aayudha (weapon like sword, mace, arrows, bows, bombs, guns, pistols)
yudh or yudh + dha = yudhdha = war or battle.
dvandhva (dual) yudhdha = dual fight

astra is also a weapon, but generally referred to arrows.

agni = fire. agnEya = made or or related to fire. aagnEyaastra = an arrow with fire power.

varuNa = water, also refers to rain shower. vaaruNaastra = an arrow with water power.

When an aagnEyaastra is used by the opponent, a vaaruNaastra would be appropriate to quench the fire power of the arrow.

Other arrows with special powers include:

sam + mOhanaastra = sanmOhana + astra = sanmOhanaastra = arrow (weapon) that would make the target soldiers or citizens to soon.

paashu + pata + astra = paashupataastra, where paashu ← of or related to a pashu = animal, with a special and particular reference to the bull, also called nandi, which is the vehicle used by Shiva for travel. pata ← pati I husband, boss or owner. Basically this super arrow is a Shiva's astra

la kaara

la kaara as a Prefix

kala
kalpa
kula → nakula
chala → achala
chala
choula
jala
jaala
jhaala
Dola
tala
taLa
tila → taila
tilaka
tula → tOlana
tOla → tolana
sthala or sthaLa
daLa → dvidaLa
moola → moulya
mELa
nir + moola = nirmola
nala → anala
naLa (as in naLa mahaaraaja)
nila → anila
neela
paala
paula → paulasthya
phala

shila → shaila → shailaja also shreeshaila
shilpa
shoola
khaLa
khila => akhila
gOla or gowLa => gowLa

``DhRu + jalapaata = dRujalapaata = Big water fall like Niagara, Victoria Falls in Africa and Jog Falls in Karnataka in India.

dRusaagara is a large lake; dRusamudra is a large ocean
dRubhookhanDa = dRu + bhoo (land) + khanDa (continent) like Asia or other large continents.
dRu + dEsha (country or state) = dRudEsha; USA as a country or Texas as a State; Russia, China, India etc. Other words with similar means are: dRuraasHTra, dRusthaana (sthaana means place oe country with the following examples all having “stan” in there name: Pakistan, Afghanista, Baluchistan, Hindustan (another name used for India).
dRu + mRuga = dRumRuga = Big or dominant animal like Dinosaurs or Elephants.
dRupaksHi = dRu + pakshi (bird) is a big bird or giant bird. Examples in RamaayaNa is
dRu + naaga or sarpa (meaning snake) is dRunaaga or dRusarpa which is the giant seven headed serpant on which VisHNu rests and in deep, eternal meditative trance. This serpent is also called “aadishEsHa”.
The Commodo dragon in Galapagas Island is in the “dRu” category.
Supercomputers or large navy ships, large weapons, large air crafts, large spacecrafts and large or tall building (Burge Kallifa, World Trade Centers, other buildings in China are all in the “dRu” category.
Super sized blackholes, super galaxies etc. would belong to the dRu category.

va kaara origin single letter root object class words argument

v + a = va where a is the first vowel of the Sanskrit alphabet system.
Notice the various transformations from the vowel part of the va kaara group of alphabets. a becomes aa; I becomes ee or E; ee becomes E (deergha version) or ai; vu becomes voo and voo becomes vou. vam becomes vama; vah becomes vas or vash.
vada = speak > vaada = argument or debate > vi + vaada = vivaada; vaada – vivaada is argument and counter argument.
vaadana also means playing a musical instrument or creating sound; vaadaka is a person or thing that produces sound; vaadaki is the feminine version of vaadaka. vaadaka or vaadaki could also refer to a person who argues. vaadya = musical instrument, vaadi and samvaadi or used in music where vaadi is a musical note and samvaadi is a resonant musical note. samvaadana is musical resonance or simply a resonance in the sound domain. anuvaadana = anu (according) + vaadana.
vid = vi + d = knowledge. The root alphabet vi is a single letter level object class covering the concepts of knowledge.
The vi used as a prefix alphabet to modify another alphabet refers to special, variety or unique.
Therefore, in the role and function as a suffix, note that the same single letter alphabet takes different “avataar” or contextual or positional role as a modifier instead of the original starter single letter object class.
vid > vEda, as in the four vEdas
vid > vEdya = understandable or understood. The word vEdya is an abstract noun.
vid > vidya = knowledge or a discipline of knowdge or subject as in sangeeta vidya = music knowledge or musical talent or musicology. The Greek meaning or contextual references is logos from which logy is derived and used in place of the Sanskrit concept of s”haastra” which referes to subject matter or discipline.
vidvaan = vid _ vaan referred to a knowledgeable person. The feminine version is vidooshi.
vidvat = vid + vat = expertise. vidvat is also a degree level of expertise equivalent to a PhD. or mastery. Similar to the word “doctor” for a PhD or a medical doctor with MD, the word for title is vidvaan, as is in vidvaan XXX. Experts in different subjects or discipline could also be a vidvaan. Pandit is another word like vidvaan or vidooshi (the feminine version).
vEdaanta = comes after each of the four vEdas. veda + anta = vEdaanta. anta means end
veeNa -s the musical instrument in India or Indian subcontinent to include Pakistan, Bangladesh, Nepal, Bhutan and Srilanka. The musical instrument veeNa is associated with e Goddess of knowledge including speech and music “sarasvati”. This Goddess has many other names all related to knowledge and music.
The different metaphorical names or “anvartha naama”. Here are some examples: vaaNi, veeNaa = paaNi = veeNaapaaNi, vidya, vidyadEvi, vEda maata, vaangmayi, vaageeshvari, There are many more metaphorical names for the Goddess of knowledge. I may cover them in my future blogs or articles or notes.
FYI, Greeks have an equivalent Goddess called Sophia for the Indian Goddess of knowledge. For example, sophy is added to as a suffix to many subjects or discipline in Greek. Some examples are: Philosophy = Philo refers to love of, Sophy refers to the knowledge, together meaning lover of knowledge. Theosophy = Theo + Sophy. Theo is alo the origin for the word Theory and Theology. The word Thesis also comes from Theo.
vaidya is derived from vid and further from vEd. Even though the word vaidya is used for doctors meaning knowledgeable, it in general means or refers to any expert or knowledgeable person.
vaidya + naatha = vaidyanaatha refers to the God of medicine. God Eaashara is referred by this name vaidyanaatha. There is also a statement of referring to God naarayana or hari in the popular saying “ vaidyO naaraayaNo harih”. In this context this statement also (really means) means “When you worship, seek or understand the Good naaraayaNa or hari, which are two of numerous names for this God also called visHnu, you shall gain physical and mental health, and a full context mukti or salvation.
Other names in this context are: vaidyanaatha, vaidyEshvara. For some unknown reasons, vaidya and indra combined vaidyEndra is nor used. It is really surprising because the word indra to mean boss, chief etc. is used in too many contexts with too many confusing roles, including the vEdas, and also in naming people in India. Even the Bollywood film stars renamed themselves with the word Indra added. Examples: Dharmebdra, Jitednra etc. The vEdic authors, the RisHis who contributed to the different parts of the four vEda and associated parts seem to have enjoyed the fad of the word and the personality of Indra, soo much so that Indra appears in many contexts and situations in the vEdic and related poetic and prose literature. It is almost like Indra was acting in too many roles in the vEdic drama.
vaageeshvara = vaak + eeshvara, the God of speech.
vaa+ ma = vaama > vaamana > vaama + achaara (practices) = vaamaachaara (Left handed practices, alternative practices, also behavior)). vaamaachaara is used for referring to unnatural or deviant practices; aa + chaara = aachaara; chara > chaara. chara = traverse; vaama + dEva = vaamadEva = was one of the contributors to vEdas. vaama + shaili = Left handed style; vaama + kreeDaa (sports, play) = vaama keeDaa meaning alternative sports, alternative play, including deviant love play.
vru + t = vRut; vRut+ ta = vRutta (circle); vRudhdhi = improvement, increase. vrudhadha = improved person or one of increased age or an old person. vrutti = profession. vruttaachaara = circuitous or circling behavior.
vRu + ma = varma. vru > var when combining with a suffix. In general the single letter class root object class Ru become “ar” when a suffix is added. vRu + ta = varta > vartana = acting, behavior. Ru + ka = arka; Ruk + vEda = RugvEda (notice the transformation from k to g.
vRuh > vRusHa. Notice the ah sound ending consonants transform to s, sh, or sH sounds.ah, The last vowel alphabet “ah”becomes “as”. ah + tu = astu.
vrusHa + bha = vRusHabha (bull).
vRu + ga = varga = category
gRu + ga = garga > gaargi > gaargEya. GaargEya is the son of or derived from or related to gaargi. Gaargi was a Rushi kanya, who later also became the mother of a famous Rushi, thus called gaargEya. gaargEya RusHi is one of the major prginators like bharadvaja, vasisHta, kashyapa, vishvamitra....If you are born in the bharadvaja RusHi lineage, your gOtra would be bhaardvaaja (notice the a to aa transformation to denote of or related to or derived). One could be of the following gOtras: vaasisHTha, kaashyapa, bhaaradvaaja, gaargEyasa, vishvaamitra, bhaargava (bhRugu RisHi lineage) etc.
vak > vakta > vaktaara. vak > vaak > vaakya (sentence)
vyaa + karaNa = vyaakaraNa (grammar)
vya + ya = vyaya subtraction or expenditure; aaya = income or incoming. aaya-vyaya refers to income and loss, aaya-vyaya paTTi is an income and loss list or statement.
aayatana = aaya + tana = The property of incomimg, increasing or summation. aayatanavaan = One who is blessed with routinely increasing and incoming in their life. In blessing someone and wishing them “aayatanavaan bhavatu” is a blessing or wishing statement. One could pray God with a wish or blessing for themselves by making this statement. The devotee will not ask “vyayatanavaan bhavatu” meaning a request to decreasing wealth or assets!
vyah > vyas > vyaasa. vyaasa is a legendary Rushi who composed the epic poetry of “Mahabharata” in 18 chapters. Number 18 was his favorite number. His “bhagavad geetha” is also of 18 chapters. God Krishna did not say or write bhagavad geetha. The composer is actually the great poet sage vyaasa, but used the character of Krishna to say it. This amazing contributor to literature, philosophy and especially poetry also codified vEdas, thus is known as vEda vyaasa.
vinyaasa = vi + nyaasa = Design or configuration.
ni + ah > nyas > nyaasa. Not status quo or being denoted by ni prefix to ah > as > astu.
sam + nyaasa = sanyaasa = Giving up everything, and done perfectly or exhaustively and especially for good and sacred purpose and goal.
vah > vas + ti > vasati. vas > vaasa > nivaasa
vatsa = son; vatsala = daughter. Boys are named as shreevatsa = shree (lakshmi) + vatsa. vatsa is similar to kumaara (son) in meaning. You may be familiar with the famous drama of the great kaaLidaasa entitled “kumaara sambhava”.
vatsa > vaatsa + aayana = vaatsaayana. vaatsaayana RusHi is credited to the famous “kaama sootra” the formulae of 64 poses of love making.
vaayu = air, wind, the God of wind.
Other words for vaayu are praaNa. praaNaayaama = praaNa + aayaama, which is deep breathing exercise in yOga and meditation exercises. hanumaaan or hanumanta was the son of the God of wind, thus called yaayu putra = vaayu + ptra (kumaara or son).
God hanumaaan or hanumanta is also called the mukhya praaNa meaning important or actually the chief of praaNa.
vaata = is a decease or simptom category in the Indian aayurvEdic medicine system. Vaata is related to air, breating, the praaNa. praaNa is similar to the Chinese “chi”
vi + bha = vibha > vibhava
vi + dRu + bha = vidarbha (a place in Indian history, and also a place in India now.
vi + kRu + ta = vikRuta > vikRuti. pra + kRuti = recursive and recurring or repeating kRuti.
vi + jaya = vijaya = success. You may remember that Jaya and Vijaya are the two security chiefs of the VaikunTha which is abode of God Vishnu and Lakshmi. Dashaavataara = The ten avatars happened as these two Jaya and Vijaya were cursed by the always angry Rushi doorvaasa. I may write more about this in my future blogs, articles and notes. Let us just note that in the 10 avatars jaya and vijaya meaning guys with success actually the looser partners.
vimaana = vi + maana = airplane
vima = life insurance
vi + pra = vipra is a sage or a braahmaNa not by birth or caste, but by action and achievement.
vapa = the rib bone
viphala = vi + phala = fruitless or failure. phala means fruit.
vidura = was the brother of King drutaraasHTra and paanDu. He was the son of the servant lady but was the wisest, whereas dRutaraasHTra and paanDu were the sons of the bothers chitra veerya and vichitra veerya.
veera (One who courageous, strong, valor etc.) > veerya = Abstract noun form of veera. Veerya also refers to the semen.
The sons of the matriarch satyavati chitra veerya and vichitra veerya were impotent, and were not courageous, but only very timid. It is important to note and understand that these names of timid brothers were given by the poet vEda vyaasa, as a metaprorical name and not surely any parent would give such names to their children. In fact, the metaphorical names given by the poet vEda vyaasa also means that they were impotent. That is why the mother satyavati asks here step son satyavrata, later metaphorically named bheesHma, again metaphorically, to bring brides for the marriage of her sons. bheeshma steals three sisters who were eligible for marriage in a “svayamvara” contest. The eligible brides in Royal families chose the warrior or strong man in contests arranged by the King father and the royal family. It would normally a competition of strength or valor. bheeshma being courageous of extraordinary proportions goes to the svayamvara contest and steals the brides amba, ambika and ambaalika by carrying them in his charriot, in front of and in the eager presence of hundreds of warrior present to win the eligible sisters in a contest. None of the present warriors and kings could catch him or follow him. Notice the names satyavrata, who later became known as bheesHma, and satyavati the matriarch mother. She was not a “satya” vati, which actually honest lady!This lady circumvents all through her life. Born a fisher woman, and a virgin, leads a boat to take the sage paraashara across sarayoo river. She ends up hooking up with the sage and becomes pregnant. Incidentally, the sage paraashara was an expert in astrology, among many others. He was a great looking young sage. Would he have known through his astrological vision and calculations that he would meet the beautiful fisher woman, romance with her to get her pregnant, and further the lady gives birth to a child, at the precognitive time of birth pre-calculated by the astrologer visionary parashara sage that their son vyaasa would be a great poet, great visionary and probably the single most contributor to literature even till now with no one close in any language? For vyaasa as a child, he didn't have any father figure present in his life growing up, no teacher or guru could dare teach this prodigy, born to a fisher woman, who decides to marry again to King Shantanu only to produce two sons who were impotent. It is the same lady who produces a genius called as vyaasa, but could not repeat it but only gave birth to two impotent children, only further to cheat and beat the system all her life.

vyaasa's life story, and the story of mahaabhaarata as told by him a a great poetry still the best ever after numerous centuries, is a story of irony of situations for vyaasa the great poet, and also the story of many generations depicted in his story in poetry of 18 chapters, containing thousands of characters, kings and royal families, the extraordinary women, and in situations finally ending in a tragedy with almost every one dying in the war, with no male survivor in their youth, and ending in women, old men and children, with only one little baby of deceased abhumanyu called “pareekshita” left to carry on the ominous burden of the dynasty.

Kam kaara

kam+ bha = kambha

kam + pa + na = kampana

kam + ka = kanka

kam + ka + Na = kankaNa

kam + ji + ra = kanjira

kam+Ta + ka = kanTaka

kam + Tha = kanTha > kanTheehaara > kanTheerava also neela + kanTha = neelakanTha; shree + kanTha = shree kanTha

kaam+cha + na = kaanchana

kaam + Da = kaanDa

kaa + ma = kaama > kaamaatura

ka + vi = kavi

ka + ra = kara

ka + la = kala > kali

kasHaaya

kaksHa, kaksHi

kaam + ta = kaanta > kaantEya

kaam + ti = kaanti

kaa + pi = kaapi

kaa + ya = kaaya

kaashi

kaa + vi = kaavi

kalmasHa

kaa + ra = kaara > kaari

kaa + la = kaala

kaaLi

kaavEri

kaasHaaya > kaasHaaya vastra

kaanksHa > aakaanksHa

ghaTha > ghaTam

gata

ghata > aaghaata

tamboora

taamboola

dOsha

daasya

dhoota

dhoopa

deepa

duh + kha = duhkha

sukha

ksHa kaara

aksHa > aksHata, aksHara, akShaya

kaanksHa > aakaanksHa, saakaanksHa

raksHa

raaksHasa

bhakSha

saaksHa > saaksHi

kaksHa > kaksHi

iksHvaaku

eeksHa

dheeksHa

uksHa > para + uksHa = parOksha > aparOksHa

gavaakShi

chaksHu

taksHa > taksHa + shila = taksHashila (First university in the world of India, now in Pakistan

teeksHNa

daksHa = capable > daksHa brahma + daksHa + brahma. His daughter was daaksHaayiNi, married shiva

dheeksHa = initiation taken by a disciple or student from a guru > deeksHita is a brahmin guru who initiates his disciples. This is also misspelled as dixit these days. This is used as a family name.

naksHa = is a map

paksHa = as in pitru paksHa, shukla paksHa, kRusHNa paksHa. Congress paksHa (a political party). poorva paksHa is presentation of a previous perspective or an existing theory under debate. Uttara paksHa is the part of the debate by the challenge perspective of the debater's new perspective.

prOkshaNa = is sprinkling of sacred water as a purifying blessing in a religious event on the family members and attendees and also the self-sprinkling by host performing the ritual.

biksHa = process of giving arms to the deserving. The biksHa generally could be money or food. Poetically prEma biksHa refers to asking for the favor of love by generally a man from the woman. The Western practice of a man requesting to marry a lady, by bending down and asking her “Will you marry me”mostly with a marriage ring in his hand, is actually a prEma biksHa.

bhaksHa = special festive food, generally a sweet item or desert like laaDoo, jilEbi, chirOTi

bhaksHi is a family name in North India

mOksHa = salvation

meeksHa, as in sameeksHa = Meeting, caucus or special event similar to a conference or a convention.

yaksHa = equivalent to an angel, generally with special powers. yaksHi is a feminine version. yaksHa prashna (quiz or questions) was when a yaksHa appears and quizzes in a challenge series of questions to yudisHTira (the oldest of the paanDava brothers. yudisHTira answers satisfactorily.

raksHa

laksHa = 100,000 (hundred thousands) in the Indian number system

laksHa = attention. > laksHaNa = attractive or worthy of attention/attraction in looks

lEpaaksHi = is a place with exquisite temple architecture in Karnataka state of India.

meenaaksHi = a woman with beautiful eye like the fish. meenaaksHi temple in Madhurai, South India is famous. The Goddess is called madhurai meenaaksHi

vaksHa = chest > vaksHa sthaLa is the chest.

gavaaksHi = ga + va + aksHi = is the chimney.

vru + ksHa = vrUksHa = tree

veeksHa = seeing, observing > veekHaNa

shiksHa = discipline of the disciple; also disciplining action

saaksHa = witnessed, as in eye witness ed > saakShi is the abstract noun form = witness. saaksHi bhoota = physical witness. saaksHaat = in real presence.

pratyaksHa = seen or sight in physical presence. parOksHa = not seen or observed in direct or physical presence, but in indirect perception or understanding.

sooksHma = delicate, micro, nano etc. sooksHma + darshaka = sooksHma darsHaka = Microscope also including instruments that enable viewing or analyzing the really small below possible with our eye.

laksHmi = laksH + mi = Beautiful to behold. Used for women

laksHamana = very good looking to behold. laksHmaNa was the great looking son of king dasharatha and younger brother of raama in raamaayaNa (RamayaNa).

pada (word) > paada (part or section or stanza)

paada also means the leg. dvi (two) + paada (legs) = dvipaada (bipedal); bipedal is the English wird.

chatuh (four) + paada = chayusHpaada = anything with four legs. Quadrupedal is the English word. Animals and even a chair are chatuhsHpaada as examples. The word sahasra + paada = sahasrapaada only means many or numerous instead of literally a thousand connoted by the word sahasra.

pada + artha = padaartha ( multiple meanings: means an object, with alternative words being "vastu" also used; meaning of a word, artha = meaning. "artha" also means money or economics. artha shaastra refers to economics. artha shaastra literally means the subject or knowledge corpus of money

ksHa + tra = ksHatra > ksHatriya; also ksHaatra dharma

ksHi + ti = ksHiti > kshitija ; also a + ksHi = aksHi + ja = aksHija;

ksHO + bha = ksHObha > ksHObhita

shlEsHa > aashlEsHa (is a star or naksHatra)

na + ksHa = naksHa (map on land, water, in the sky) naksHa + tra = Map or configuration of stars in the sky.

vRu + ga = varga > vargeeya

nRu + ka = naraka

chRu + ka = charaka

aayaNa = aaya + Na. Here aaya refers to the object class concept of coming, incoming

raama + aayaNa = incoming of raama or avataar of raama.

Esu (jesus) + aayaNa = incoming of Esu or Jesus or avataara of Jesus,

dvee (two) + sham (as in shankara) + pa + aayana (incoming or birth) = dvaishampaayana (Born in dvee + sham + pa = Born in dvaishampa. Vyasa is also called kRusHna (figuratively and metaphorically one preaches and practices action) dvaishampaayana.

svah + ga = svarga (heaven). The concept of svarga in Sanskrit and the associated philosophy is very different from the heaven in Christianity and surely very different from the concept of heaven in Islam. In yOgic practices, svah = inward or inward to aatma. “ga” is going, passage or traverse. svarga is the realization of the self in identity and congruence (yOga) with the creator and creation. “svayambhoo” also means the same thing conceptually, and especially means born and exist in itself.

nRu + ka = naraka = Hell. The concept of hell is very different from the Hell in Christianity and surely very different from the concept of Hell in Islam. nRu is the existence as we see without enlightenment. In the yOgic experience and concept, it is what we see and realize on the earth with our external senses and understand/experience without any enlightenment. The single letter root class alphabet nRu is that externally sensed and experienced. From this root class, subclass objects like nRupa (means king), nara (human) are derived. In practice nRu is used with conjoining prefix or suffix to derive words as related to the earth.

naaraayaNa = naara (of or related to or derived from nara) + aayaNa (incoming to the earth in an avataar). It generally refers to Lord VisHNu's 10 avataars, includind and limited to raamaayaNa with raama's avataara in trEtaayuga, kRusHna in dvaapara yuga in and not limited to mahaabhaarata, narasimha (lion head and limbs born or shows up instantly in front of hiraNya kashyapu when challenged by him.

vRu + ta = vrata

Ru + ta = rata

bha + rata = bharata

bharata+ khanDa = bharatakhanDa

vRuh + a = varsHa

bharata + varsHa = bharata varsHa

dvee + pa = dveepa (Island)

jam + boo = jamboo

bharata khanDa, bharata varsHa, jamboo dveepa was the way of locating oneself in any part of India (called bhaarata dEsha) similar to writing or saying one's coordinates as Santa Clara, Silicon, Valley, California, USA, North America, Globe.

India was part of current Africa, and the North and South Americas on the western side of Africa, and also Australia connected to the south east of Afria. The current India broke of and moved towards China, after breaking away from eastern part of Africa, floated towards current China, pushing itself towards China, thus creating the mountains, further pushing to creating the tallest range of mountains now called Himaalaya.

DhRu + na > dhara (hold or contain) + Na = dharana (holding or wearing) > dharaNi (earth), Earth holds on it all oceans, continents, islands etc. > dhaariNi is the feminine Goddess earth.

ghRu + ta = ghRuta (ghee or clarified butter)

ghRu + Na = ghRuNa > ghRuN + vanti = ghRuNvanti

dhana (grain) > dhaanya

dhan + vantari = dhanavantari

shah + kRu = shah + kara = sharkara

shah + ka + ra = sharkara

shaa + ka + ahaara = shaakaahaara (vegetarian food)

maam + sa = maamsa + aahaara = maamsaahaara (meat or animal food)

rsHa = Ruh + a used as a suffix

ka + rsHa = karsHa > aakarsHaka and also aakarshana

gha + rsHa + Na = gharsHaNa

aa+ da +rsHa = aadarsHa

da + rsHa = darsHa >darshana > daarsHanika

spa + rsHa = sparsHa

va + rsHa = varsHa

shee + rsHa = sheersHa

ha + rsHa = harsHa

tRu used as a suffix

maa+ tRu = maatRu

pi + tRu = pitRu

bhaa + tRu = bhaatRu

bhR + tRu = bhartRu

sha + tRu = shatRu

sHta as a suffix

isHta (Desires or Needs) > abhi + isHTa = abheesHTa (Everything needed)

ka + sHTa = kasHTa = Difficulties

dRu + sHta = dRusHTa > a + dRusHTa (Seen, visible, cause known )= adRusHTa (unkown, unseen, cause not understood) This word also refers to luck or pure luck as in luck cause may not be known

chE + sHTa = chEsHTa = (mischievous, activities). In Kannada, chEsHTe

duh (Bad, Unwanted, Mischievous)+ chE + sHTa = chEsHTa = mischievous activities. In Kannada, the word is duhchEsHTe

da + sHTa = dasHTa = capable, very able

na + sHTa = nasHTa = financial loss or any other loss

ja (the act of birth); > janana > janana ga (gamana) + t (happen or happening) = janana gamanaat is jagat

ja + ga + t = jagat > + eesha = jagadeesha

Murthy's Sanskrit Etymology

Among the vowels from a, aa through am and aha, the following alphabets are utilized well in Samskritam:

1. a is the first letter of the alphabet system in Samskritam. In English, Arabic, Persian, and Hebrew also aleph is the first letter which denotes the a sound,

2. I "amara kOsha" the Thesaurus of synonyms starts with the word "amara", which word also starts in a.

6. At this time, just understand the following parts of the word and the derivate paths of "jaraasandha: jara + aa + sandha. aasandha = of or related to or derived from "asandha = a + sandha.

7. The send vowel in Samskritam "aa" is used to derive "related" meaning by converting a to aa.

8. Examples: of the usage and conversion to the deergha vowel "aa"

8 (a). Of or related to rama is raama.

8 (b): Of or related to the King dasharatha is daasharathi

9 (a). The word "gEya" means one that is sung. The vowel "ee" transforms to "Eya", which transformation is only one ecample of a series of such transformations within the vowel family of Samskritam.

10 (a) The hrasva vowel a transforms to the deergha vowel. aa

10 (b) The vowel i transforms to hrasva e

10 (c) The deergha ee transforms to deergha E

10 (d) I will discuss other vowels with examples.

13. The word chara is derived from the grandparent object class chRu

14. The word gamana is derived from the grandparent object class denoted by gaM + ga + am.

The vowel alphabets from a, aa through am and aha are commonly know to most students and also teachers of Samskritam and other Indian languages which follow the dEvanaagari style, however with own letter transcription as in Kannada, Telugu, Hindi etc. The vowel am has its reflections or application forms in the vyanjana series ka, cha, Ta, ta, pa. The 5th alphabet in the series of ka, cha, Ta, ta, pa like the gna, jna, Na, na and ma also could be adjoined to the vyanjana to form a single alphabet. Gam is the general for used in :Om gam gaNapatayE namah". GaN transforms or derives the word GaNa. The root gaN making up gaNa refers to the fundamental elements including partcles, energy, and space-time, which are the basic building blocks of our universe. Most of the people blindly memorize and regurgitate mantras, including shlOkas and vedas without attempting to understand the fundamentals. I hope the admirrers and worshippers of GaNapathi realize the inner and fundamental root cause of gaNapati.
Yudh = yu +dh. Yodha is formed when the u kaara in yu is transformed yO. This transformation is related to or derived from of the vowel u to O. duryOdhana = dur + yOdhana meaning the warrior who is to fight with. Yodhana is the process of the fight of the warrior or the personification pf the yOdha. DuryOdhana is also referred with the name suyOdhana, meaning good fighter.
abheeShta = abhi + isHTa meaning variety of desires or wants. Here, abhi is the prefix or qualifier or descriptor adjective to isHTa. Abhi + jita = abhijita. Jita = ji + ta. Here, ji means the process of winning, whereas the suffix ta means or refers to a past tense of the process of ji. Jita refers to someone who is already won or survived. Abhi is the qualifier to jita stating a variety of ways or instances. Abhi in abhishEka is also a qualifier meaning a variety of ways. abhivaadana = abhi +vaadana referring to a variety of vaadana. Vaadana is the process of the vaada. Vaada is a one way statement, whereas vaada – vivaada is a two wat debate.
vaada is derived from vada, by creating a related to conversion from a to aa.
vid transforms to vEda by a transformation from hrasva I to deergha E. One who has finished his or her study in veda, one or more of the vEdas, becomes vEdaanti. Vedaanta is completion to the end of the vEda.vEdaanta is the subject or status, whereas vEdaanti is the person with the accomplishment of the vEda learning and scholarship.
yam is the grandparent root object class, out of which yama is derived. Of or related to yama is obtained by a transcription to aa thus getting yaama. Similarly vya+yama = vyaayama, and further vyaayaama by the transformation of a to aa.
shRum + ga = shRunga = shRum gachchati shRunga. The correct and perfect way to write is using the fifth letter after ka, kha, ga, gha NOT the circle shaped letter we call as shoonya. Words like anka as used by the students and scholars is not perfect whereas it should use the fifth letter in the ka series by writing and pronouncing almost like “anGka” Similarly the word mangaLa should use the fifth letter and not the circle. Similarly, the word langhana should use the fifth alphabet sounding “langGhana”, where I am using “nG” to signify the firth alphabet.
Anjana also should use the fifth alphabet in the cha, cha, ja, jha series not the shoonya looking letter. Here are other words to pay attention: mancha, pancha, sinchana, sanchita, kaanchana,
bhRunga = bhrum + ga. Bhru also is the grandparent root alphabet object class, as also bhrum. bhrama, and bhramaNa are derivatives of bhrum. bhrama (in Kannada bhrame) is wandering, and for a human it is wandering mind. bhramaNa is the functioning of bhrama. BhramaNa could be a wandering animals or insects or humans. The bee (bhrunga) is especially referred to a wandering insect, as also for a butterfly, obviously in search of the nectar in the wild or a garden. Earth goes around the sun, so do other planets, which is also bhramaNa.
pRu is the grandparent level root object class. Pru is the origin alphabet for pRuthvi.
dRu = Dominance, Importance; dRu + ta = person, place or thing that has become important or dominant; Example: dRuta + raasHTra = dRutaraasHTra (the kourava patriarch king; dRuva = A mythological character of ancient India; The Pole star is called the dRuva nakshatra (star), dRupati = dRu + pati meaning important and dominant husband where pati means husband, with another meaning as one who takes care and protects or one who manages the welfare of; dRupa or dRupati could also mean a big boss or big manager or even the chief manager to include CEO, President, CTO, COO and COO, where dRu = chief; dRupaala = dRu + paala where paala is one takes care of well being, and all needs of some subjects in a kingdom, or a state or even a country. DhRupaala could apply to a governor, chief wefare officer. DhRuja = dRu + ja meaning dominantly born, with following examples: 1. Bheema big big and dominantly strong. 2. or even his giant sized son ghaTotkacha could be considered a dRuja. 3. An extremely strong person or a tall person as a basketball star, a big wrestler or a big boxer could all be “dRuja”; Here ja suffix refers to the features or character of dominance by birth, Example of super tall king and warrior in mahaabharata is syndhava. Hanuman in raamaayaNa could be categorized as a dRuja.
dRunadi = dRu + nadi (river) – Dominant or big rivers like Ganga in India, Nile in Egypt, Yangtze river in China.
dRuparvata = dRu + parvata (mountain) is a big mountain like Himalaya, Mount Everest, Mount Fuji in Japan, Peruvian mountain range.

``DhRu + jalapaata = dRujalapaata = Big water fall like Niagara, Victoria Falls in Africa and Jog Falls in Karnataka in India.

dRusaagara is a large lake; dRusamudra is a large ocean
dRubhookhanDa = dRu + bhoo (land) + khanDa (continent) like Asia or other large continents.
dRu + dEsha (country or state) = dRudEsha; USA as a country or Texas as a State; Russia, China, India etc. Other words with similar means are: dRuraasHTra, dRusthaana (sthaana means place oe country with the following examples all having “stan” in there name: Pakistan, Afghanista, Baluchistan, Hindustan (another name used for India).
dRu + mRuga = dRumRuga = Big or dominant animal like Dinosaurs or Elephants.
dRupaksHi = dRu + pakshi (bird) is a big bird or giant bird. Examples in RamaayaNa is
dRu + naaga or sarpa (meaning snake) is dRunaaga or dRusarpa which is the giant seven headed serpant on which VisHNu rests and in deep, eternal meditative trance. This serpent is also called “aadishEsHa”.
The Commodo dragon in Galapagas Island is in the “dRu” category.
Supercomputers or large navy ships, large weapons, large air crafts, large spacecrafts and large or tall building (Burge Kallifa, World Trade Centers, other buildings in China are all in the “dRu” category.
Super sized blackholes, super galaxies etc. would belong to the dRu category.

va kaara origin single letter root object class words argument

v + a = va where a is the first vowel of the Sanskrit alphabet system.
Notice the various transformations from the vowel part of the va kaara group of alphabets. a becomes aa; I becomes ee or E; ee becomes E (deergha version) or ai; vu becomes voo and voo becomes vou. vam becomes vama; vah becomes vas or vash.
vada = speak > vaada = argument or debate > vi + vaada = vivaada; vaada – vivaada is argument and counter argument.
vaadana also means playing a musical instrument or creating sound; vaadaka is a person or thing that produces sound; vaadaki is the feminine version of vaadaka. vaadaka or vaadaki could also refer to a person who argues. vaadya = musical instrument, vaadi and samvaadi or used in music where vaadi is a musical note and samvaadi is a resonant musical note. samvaadana is musical resonance or simply a resonance in the sound domain. anuvaadana = anu (according) + vaadana.
vid = vi + d = knowledge. The root alphabet vi is a single letter level object class covering the concepts of knowledge.
The vi used as a prefix alphabet to modify another alphabet refers to special, variety or unique.
Therefore, in the role and function as a suffix, note that the same single letter alphabet takes different “avataar” or contextual or positional role as a modifier instead of the original starter single letter object class.
vid > vEda, as in the four vEdas
vid > vEdya = understandable or understood. The word vEdya is an abstract noun.
vid > vidya = knowledge or a discipline of knowdge or subject as in sangeeta vidya = music knowledge or musical talent or musicology. The Greek meaning or contextual references is logos from which logy is derived and used in place of the Sanskrit concept of s”haastra” which referes to subject matter or discipline.
vidvaan = vid _ vaan referred to a knowledgeable person. The feminine version is vidooshi.
vidvat = vid + vat = expertise. vidvat is also a degree level of expertise equivalent to a PhD. or mastery. Similar to the word “doctor” for a PhD or a medical doctor with MD, the word for title is vidvaan, as is in vidvaan XXX. Experts in different subjects or discipline could also be a vidvaan. Pandit is another word like vidvaan or vidooshi (the feminine version).
vEdaanta = comes after each of the four vEdas. veda + anta = vEdaanta. anta means end
veeNa -s the musical instrument in India or Indian subcontinent to include Pakistan, Bangladesh, Nepal, Bhutan and Srilanka. The musical instrument veeNa is associated with e Goddess of knowledge including speech and music “sarasvati”. This Goddess has many other names all related to knowledge and music.
The different metaphorical names or “anvartha naama”. Here are some examples: vaaNi, veeNaa = paaNi = veeNaapaaNi, vidya, vidyadEvi, vEda maata, vaangmayi, vaageeshvari, There are many more metaphorical names for the Goddess of knowledge. I may cover them in my future blogs or articles or notes.
FYI, Greeks have an equivalent Goddess called Sophia for the Indian Goddess of knowledge. For example, sophy is added to as a suffix to many subjects or discipline in Greek. Some examples are: Philosophy = Philo refers to love of, Sophy refers to the knowledge, together meaning lover of knowledge. Theosophy = Theo + Sophy. Theo is alo the origin for the word Theory and Theology. The word Thesis also comes from Theo.
vaidya is derived from vid and further from vEd. Even though the word vaidya is used for doctors meaning knowledgeable, it in general means or refers to any expert or knowledgeable person.
vaidya + naatha = vaidyanaatha refers to the God of medicine. God Eaashara is referred by this name vaidyanaatha. There is also a statement of referring to God naarayana or hari in the popular saying “ vaidyO naaraayaNo harih”. In this context this statement also (really means) means “When you worship, seek or understand the Good naaraayaNa or hari, which are two of numerous names for this God also called visHnu, you shall gain physical and mental health, and a full context mukti or salvation.
Other names in this context are: vaidyanaatha, vaidyEshvara. For some unknown reasons, vaidya and indra combined vaidyEndra is nor used. It is really surprising because the word indra to mean boss, chief etc. is used in too many contexts with too many confusing roles, including the vEdas, and also in naming people in India. Even the Bollywood film stars renamed themselves with the word Indra added. Examples: Dharmebdra, Jitednra etc. The vEdic authors, the RisHis who contributed to the different parts of the four vEda and associated parts seem to have enjoyed the fad of the word and the personality of Indra, soo much so that Indra appears in many contexts and situations in the vEdic and related poetic and prose literature. It is almost like Indra was acting in too many roles in the vEdic drama.
vaageeshvara = vaak + eeshvara, the God of speech.
vaa+ ma = vaama > vaamana > vaama + achaara (practices) = vaamaachaara (Left handed practices, alternative practices, also behavior)). vaamaachaara is used for referring to unnatural or deviant practices; aa + chaara = aachaara; chara > chaara. chara = traverse; vaama + dEva = vaamadEva = was one of the contributors to vEdas. vaama + shaili = Left handed style; vaama + kreeDaa (sports, play) = vaama keeDaa meaning alternative sports, alternative play, including deviant love play.
vru + t = vRut; vRut+ ta = vRutta (circle); vRudhdhi = improvement, increase. vrudhadha = improved person or one of increased age or an old person. vrutti = profession. vruttaachaara = circuitous or circling behavior.
vRu + ma = varma. vru > var when combining with a suffix. In general the single letter class root object class Ru become “ar” when a suffix is added. vRu + ta = varta > vartana = acting, behavior. Ru + ka = arka; Ruk + vEda = RugvEda (notice the transformation from k to g.
vRuh > vRusHa. Notice the ah sound ending consonants transform to s, sh, or sH sounds.ah, The last vowel alphabet “ah”becomes “as”. ah + tu = astu.
vrusHa + bha = vRusHabha (bull).
vRu + ga = varga = category
gRu + ga = garga > gaargi > gaargEya. GaargEya is the son of or derived from or related to gaargi. Gaargi was a Rushi kanya, who later also became the mother of a famous Rushi, thus called gaargEya. gaargEya RusHi is one of the major prginators like bharadvaja, vasisHta, kashyapa, vishvamitra....If you are born in the bharadvaja RusHi lineage, your gOtra would be bhaardvaaja (notice the a to aa transformation to denote of or related to or derived). One could be of the following gOtras: vaasisHTha, kaashyapa, bhaaradvaaja, gaargEyasa, vishvaamitra, bhaargava (bhRugu RisHi lineage) etc.
vak > vakta > vaktaara. vak > vaak > vaakya (sentence)
vyaa + karaNa = vyaakaraNa (grammar)
vya + ya = vyaya subtraction or expenditure; aaya = income or incoming. aaya-vyaya refers to income and loss, aaya-vyaya paTTi is an income and loss list or statement.
aayatana = aaya + tana = The property of incomimg, increasing or summation. aayatanavaan = One who is blessed with routinely increasing and incoming in their life. In blessing someone and wishing them “aayatanavaan bhavatu” is a blessing or wishing statement. One could pray God with a wish or blessing for themselves by making this statement. The devotee will not ask “vyayatanavaan bhavatu” meaning a request to decreasing wealth or assets!
vyah > vyas > vyaasa. vyaasa is a legendary Rushi who composed the epic poetry of “Mahabharata” in 18 chapters. Number 18 was his favorite number. His “bhagavad geetha” is also of 18 chapters. God Krishna did not say or write bhagavad geetha. The composer is actually the great poet sage vyaasa, but used the character of Krishna to say it. This amazing contributor to literature, philosophy and especially poetry also codified vEdas, thus is known as vEda vyaasa.
vinyaasa = vi + nyaasa = Design or configuration.
ni + ah > nyas > nyaasa. Not status quo or being denoted by ni prefix to ah > as > astu.
sam + nyaasa = sanyaasa = Giving up everything, and done perfectly or exhaustively and especially for good and sacred purpose and goal.
vah > vas + ti > vasati. vas > vaasa > nivaasa
vatsa = son; vatsala = daughter. Boys are named as shreevatsa = shree (lakshmi) + vatsa. vatsa is similar to kumaara (son) in meaning. You may be familiar with the famous drama of the great kaaLidaasa entitled “kumaara sambhava”.
vatsa > vaatsa + aayana = vaatsaayana. vaatsaayana RusHi is credited to the famous “kaama sootra” the formulae of 64 poses of love making.
vaayu = air, wind, the God of wind.
aandhra = dense, densely populated, thing or place with strong or density or importance

aa + aandhra = saandhra → saandhrata (density)

raakhee ← rakSha = protection, assurance, commitment of protection and safety

has + ta = hasta = hand

hasi + ta = hasita (Smiling) adjective

kRu + Na = karNa (Ears) Na added as a suffix alphabet makes the resulting word an abstract now.

nai + na = naya + na = nayana (Eyes)

nEtra = eyes

nidra - sleep

cha + ra + Na = chara + Na (feet) chara refers to movement. Na added as a suffix alphabet makes the resulting word an abstract now.

paada ← feet or step or a paragraph or a section in a prose or a stanza (in a poem)

pada = word

stuta ← stu + ta; pra + stuta = prastuta; stuta is some topic or person talked about in a context. Stu is the root alphabet object class. prastuta = currently presented topic.

va + stu = vastu = object, property or possession.

vaastu → of or related transformation by making the hasva in va to a deergha vaa. vaastu shilpa is a sculture of an object, or asset or even a person / animal.

vaastu shaastra is the shaastra or the expertise or subject of construction and decoration or interior architecture of a building, including homes, social / institutional buildings, temples and other sacred places.

Naaka = heaven

naaga = naa + ga = vakra gamanaat = something that moves in a curved locus or path or style

naaTa = movement in a curved and artistic style

naatha = Some one who has become curved / artistic

naada = Sound

naabha = Umbilical card (which is curved) and a birthing connection. Padma naabha refers to vishNu whose umbilical card from which a lotus is growing

naama = name of a person. A vertical red line decoration on the forehead.

Naala = tube

naasha = destruction

naaLa = a tube

naakSha

garbha = gRu + bha = home of birth

garbha kOsha = home of birth = womb

gRu = home

bha = birth

dRu + bha = darbha

sRu + pa = sarpa

sRu + ja + na = creative

sRuh + Ti → sRuShaTi = creation

shRu + ma = sharma

sva + Ru + ga = svarga

vRu + ga = varga

ma + Ru + ga = maarga

kEvala → kaivalya

lim + ga = linga

sam + ga = sanga

sam + gha = sangha

bham + ga = bhanga

bhRum + ga = bhRunga (

tum + ga = tunga (as in tunga river)

bha+ ja + na + bhajana

naa + vi + ka = naavika; na and naa are root level object class alphabets referring to water.

naave (in Kannada language means boat or ship.

kam and kaam root object class alphabets

kam + ka = kanka is another name for yama dharma raaja

kam + ga + na = kangana

kam + cha = kancha

kaam + cha + na = kaanchana (gold)

kam + Ta + ka = kanTaka = hurdle, as in hurdle in life, even life threatening

kam + Tha = kanTha = throat, voice; neela + kanTha = neelakanTha = blue throat = refers to shiva who decides to drink the severe poison that came out of churning of the oceans called samudra manthana

kaam + Da = kaanDa = trunk of a tree or section / chapter / episode of a story or poetry. For example, Ramayana and Mahabharata epic poetries have many kaanDas. The legendary author of Mahabharata vEda vyaasa uses 18 as his favorite or chosen number, by composing his epic poetry in 18 parva or chapters. Valmiki, the author of Ramayana uses the word kaanDa for his chapters.

ka + Na = kaNa = particle or grain. kaNa + ja = kaNaja = grain storage

kam + da = kanda = child

kaanta = kaam + ta = husband where ta is a suffix alphabet making the action or function happened.

kam + pa = kampa = vibration, quake (earth quake = bhoo kampa); kampana = abstract noun form of kampa. kampita = vibrated

kamba = kam + ba = was a great Tamil poet who composed Ramayana in Tamil.

kam + bha = kambha = pillar

kaama = kaam + a = love, sex. The name of the god of love and seduction is also called kaama.

kam + sa = kamsa = arc as in geometry. kamsa was also the devil uncle of kRuShaNa.

Ru + tha = artha; money, finance, economic (prosperity); artha, dhana, kaama, mOkSha are called chaturvidha (= four types) purushaartha (valid desires for a human.). artha is also used to mean “meaning”.

aarthi is the word used for those who are seeking or desiring.

aarthika = Financial

The great sharp minded intellectual chaaNakya wrote a treatise called artha shastra = The subject of money and economics.

pa + artha = paartha (another name for arjuna

ra+ tha = ratha

pa + tha = patha

pa + Tha = paTha = read, study

pa + Tha + na = reading, studying

paaTha = lesson

kanTha paaTha = memorization through reptead reading. kanTha = voice, throat

chitra → chaitra

putra → poutra

cheena → chaina

mitra → maitra also maitri

shiva → shaiva

viShNu → vaiShNava

eeshvara → aishvarya

budhdha → boudhdha

kEvala → kaivalya

khleeda → khlaidayam

keertana = keerta + na

sam + keertana = sankeertana

keerti = reputation, fame

khee + da = kheeda → khaidi (thief, prisoner)

guDa → gowDa

gura → gowra → gowri

ghOra = very bad, awesome, extremely evil

aghOra = opposite of ghOra = no evil

pinaaka = flute

lali + ta = lalita

lali + na = lalina

kanaka = ka + na + ka

kaTaka = ka + Ta + ka

kaTa + akSha = kaTaakSha

When parents are away from their kids

work thousands of miles in big cities

Grandparents become parents again

to their own grand kids, in their old age

The children grow up to be strangers

to their own parents, as if they are orphans

bhRoo + ya → bhaarya (in Telugu and samskRutam)

bhRu + ta → bhartha (In Telugu, the word is bhartulu, where the lu suffix at the end indicates the prathama vibhakti

paari + jaata = paarijaata (a flower) where the suffix word means born.

vaari + jaata – vaarijaata or simply vaarija where the suffix ja mean born. vaari = water. vaarija is a flower born in water. In general, all beings born and even objects formed and get created in water are vaarija. All creatures in water bodies like lakes, ponds, rivers, streams, oceans and seas could be termed as vaarija. Pearls and corals are also vaarija.

Vru + ta = varta → varti also vartana

chakra + varti = chakravarti (Emperor)

yudh + a = yudha → aayudha (weapon like sword, mace, arrows, bows, bombs, guns, pistols)

yudh or yudh + dha = yudhdha = war or battle.

dvandhva (dual) yudhdha = dual fight

astra is also a weapon, but generally referred to arrows.

agni = fire. agnEya = made or or related to fire. aagnEyaastra = an arrow with fire power.

varuNa = water, also refers to rain shower. vaaruNaastra = an arrow with water power.

When an aagnEyaastra is used by the opponent, a vaaruNaastra would be appropriate to quench the fire power of the arrow.

Other arrows with special powers include:

sam + mOhanaastra = sanmOhana + astra = sanmOhanaastra = arrow (weapon) that would make the target soldiers or citizens to soon.

paashu + pata + astra = paashupataastra, where paashu ← of or related to a pashu = animal, with a special and particular reference to the bull, also called nandi, which is the vehicle used by Shiva for travel. pata ← pati I husband, boss or owner. Basically this super arrow is a Shiva's astra.
dhRu is the root alphabet object class.

dhRu → dhara

shree dhara, is one who holds shree (lakShmi) in his heart

dharaNa is the act of holding, the word being an abstract noun form

dharaNi is referred to for the earth which holds all living beings, oceans, lakes, rivers, mountains, forests, and everything else. DharaNi is feminine, as earth is considered the mother of all living beings, and earth itself personified as the ultimate mother of all.

ut + dhara = udhdhara → udhdhaara is the act of lifting up and improving.

udhdharaNa is a ritual spoon which is considered to lift up water or other liquids to become sacred liquids.

DharaNa is used for the act of wearing a dress, any jewelry and other adornments.

BRubRu → barbara (dEsha)

raadha < raa + dha, where the root alphabet object class is raa.

Other words derived from this root alphabet is raaga, which word has multiple meanings based on the context. In the musical context, a raaga is defined by a characteristic suite and series of swaras in the ascending and descending orders, in a given musical octave range, also with characteristic sequential series of the series, and further series and combinations of such series. There are numerous raagas defined and in practice in Indian classical music.

raaga is also the word for love and dedication between humans, and humans and gods, and also between gods.

raadha is a proper noun of a lady in extreme dedication and intense love to kRuShNa. The writers and poets who have described the lady named raadha in the life story of kRuShNa have named her to fully be imbibed with the actual meaning of the word “raadha”. This type of naming characters by Indian poets, writers and story tellers to exactly represent the full meaning of the name to represent the personality and personality development in the story.

anooraadha (also spelled anuraadha) = anoo + raadha refers to a lady whose personality typifies and follows that of the raadha who was in extreme dedication of love with kRuShna. Parents name their daughters as not only raadha, and also anuraadha or anooraadha.

There are few characters in Indian history who spent all their adult life in extreme dedication and love to their favorite gods. Meera bai is known in the Indian history with similar love to their favorite god she called giridhara, which is another name for kRuShna. Meera lived in different times and places in northern part of India compared to raadha who lived in the same time as a boy and a girl in love. In the southern state of Karnataka, a lady named akka mahaadEvi spent all her adult life with extreme love and dedication to a god she named chenna mallikaarjuna, who is another form of lord Shiva. Both these ladies could be called “anuraadha” or anooraadha” meaning a similar love to their favorite god.

mRu → mara

a + Mru → amara

mRu is the single letter = Ekaakshara moola and also Eka shabda moola object class which has a very broad concept ut of which many words and concepts in samskritam language. By adding a prefix letter or a suffix letter, the derivative words are formed.

Here are some of the words you may be familiar with in your language experience:

mRuta, amRuta, mRuttike, mRutbhaanDa, mara …

For example: the kannaDa word “mara” meaning a tree also refers to something that is grounded and immovable.

jRu → jara

a + jRu → ajara

ni: or nih + jara → nirjara

dvi → di + va → diva → dEva

da: or dah → daha → dahana

v: or vah → vaha → vahana → vaahana

vRu + ma → varma

vRu + t = vRut

vRut + ta = vRutta

aa + vRutta = aavRutta

aa + vRutti = aavRutti

vRut + ti = vRutti

ni+vRutti = nivRutti

kRuh +i = kRuShi

kRuh + sha = kRusha

kuh or ku: + a = kusha → ankusha – Something with a sharp edge; examples: 1. Sacred grass used in sanaatana dharma rituals called darbha. 2. sharp edged iron weapon used in controlling others or animals like elephants. 3. kusha was the name of one of the twin sons of raama or raamaayaNa

vinyaasa lEkhana is a calligraphic artwork. Vinyaasa lEkhana shastra = The subject or discipline or art or expertise of calligraphy.

nRu → nara → naara + aayaNa = naaraayaNa

nRu + pati → nRupati

vi + bhava → vibhava → vaibhava

khRu → khara

khRee – khari → vaikhari

kholli and khaari

kholli is something that is protruding out of the normal, as in a land mass that protrudes into the sea or ocean or lake or a body of water. In English it is a Bay, as in Bay of Bengal or many bay areas in USA as in Northern California or Texas or Florida or southern part of NJ end. The Bay window in some houses is designed to protrude out.

khaari is a configuration in a sea or a body of water where the ocean or sea would have carved into the land mass, khaari is some respected the opposite of a kholli. Florida's Clear Water area was formed when the ocean carved into the land mass, even creating many branches, in some parts there aee very small island mass.

In one sense, The south Indian part is itself a Bay, a very large bay, especially when you view from the perspective of the Asia continental land mass. India is called a “jamboo dveepa”.

vaishampaayana = vaishampa + aayana

vishmpa → vaishampa

vi+ shampa → vaishampa

sham = bliss

sham + pa = shampa; The root letter sham refers to bliss. Example: sham + kRu (kara) = shankara; sham + kRu = shamkara, meaning one that makes bliss happen.

cham + pa → champa; Example: champaka flower called sampige in kannaDa language.

cham + chala → chanchala

pam + pa = pampa. Pampa was a great Kannada poet, also called an aadi kavi, meaning the first kavi.

pam + kuru = pankuru

pam + ka → panka + ja → pankaja

kam + pa → kampa → kampana

jham + pa → jhampa

jam + gha → jangha as in janghabala; jangha bala refers to the life force. In Chinese, it is chi referring to the life force.

jam or jan + ma → janma = life

bam or ban +dha = bandha → bandhana > bandhu > baandhava

sim + cha + na → sinchana

sinchana is an abstract noun, whereas sinchaka and sinchita are adjectives. sinchaka is one performs the action of sinchana, whereas sinchita is the target or the one who receives the sinchana action.

shambhu

shaambhavi

shantanu = sham + tanu

gam + ga → gamga

gam → gaNa; gaNa = elements

gaNaanaam = For or of all the gaNa group.

gaNapati is the chief of all gaNa group.

tru

maatRu

pitRu

bhraatRu

tri as in gaayatri and saavitri

tri as in atri

tRum → tRuNa

tRuh or tR: + Na → tRuShNa

bRuh or bRu: + ma → brahma → braahmi (of or related to brahma (saraswathi)

bRuh + t → bRuhat

paari + jaata = paarijaata

vaari + ja = vaarija

vaari + dhi = vaaridhi

sim + dhu = sindhu

sim + dh = sindh

sim + ha = simha

hRu (destroy, annihilate, defeat, extinguish→ hara

sam+ hara + Na = samharaNa

sam + haara (of or related to hara) = samhaara

hRut + a + ya → hRudaya

rakta ← rak + ta

mukta ← muk + ta

bhakta ← bhakta

bhukta ← buk + ta

shakta ← shak + ta

yukta ← yuk + ta

vakta ← vak + ta

vyakta ← vyak + ta

la kaara

kala

kalpa

kula → nakula

chala → achala

chala

choula

jala

jaala

jhaala

Dola

tala

taLa

tila → taila

tilaka

tula → tOlana

tOla → tolana

sthala or sthaLa

daLa → dvidaLa

moola → moulya

mELa

nir + moola = nirmola

nala → anala

naLa (as in naLa mahaaraaja)

nila → anila

neela

paala

paula → paulasthya

phala

shila → shaila → shailaja also shreeshaila

shilpa

shoola

khaLa

khila => akhila

gOla or gowLa => gowLa

lalaaTa

saa kaara

saakaara ← sa + aakaara

saagara ← sa + aagara

saakhya ← full of sakhya as in saakya manO bhaava

saankhya ← philosophy or discipline of the sankhya approach

saaTi = matching, comparable

saatyaki

saarathi = chariot driver, or one who guides the path

saadhana

saadhya

saadhaaraNa ← sa + a + dhaaraNa ← of or related or full of dharaNa ← dhara + Na

sananya ← sa + ananya

saantvana

saapEkSha ← as in saapEksha vaada; also saapEkShata ← sa + apEkSha + ta; saapEkShata is also a property of matter in Physics

saapara ← sa + apara ( as in saapara vidya)

saaparNa ← sa + aparNa. Aparna is the opposite of parNa, as in parNa kuTi (reference is the parNa kuTi built by raama, lakshmaNa for their living in the forest during their vanavaasa.

saaphalya ← sa + phalya, where as phalya comes from phala, meaning bearing fruit implying success.

saabaramati ← place in Ahmedabad, Gujarat

raadha → aaraadhana → aaraadhya

saaraadhana ← sa + aaraadhana

saama ← saama vEda – with the quality of samata vaadaa. saama is the first step in saama, daana, bEdha and danDa. In the saama phase, the opponent or contending party is treated as an equal or peer level.

svaami

svaamya

saayana as in saayanaacharya

saalochana ← sa + aalOchana

saayatana ← sa _ aayatana

saaraamsha < saara + amsha

saara

saaraanath

saarasaakSha ← saras + aksha meaning one with a beautiful eyes of the lotus beauty.

saarasamati ← mind and attitude of a lotus.

saavayava ← sa + avayava

saavahELana ← sa + avahELana

saakShi = witness or actually eye witness

vasati

vaasa

nivaasa

phaNi

paaNi

chatri

chadma

chaaya

maNi → maNya → subrahmaNya

nabha → naabha → naabhi

naabhi janya

kapaaLa

kapaLi

charaNa ← chRu + Na

sharaNa ← shRu + Na

varuNa ← vaari + Na

varNa ← vRu + Na

karaNa ← karNa ← kRu + Na

maraNa ← mRu + Na

khRu + Na → kharNa

gRu + Na → garNa

ghRum + vanti =ghRuNvanti

vi + jhRum + baNa → vijhRumbaNa

tRu + Na = tRuNa

dhRu + Na = dharaNa → dharaNi → dhaaraNa → dharaNi

nRu + maata → nara maata

nRu → nara → naari → naaraayaNa and naaraayaNi

pRu + Na → parNa → parNakuTi → the root pRu implies that parNa is made of earth and earth resources like mud, clay, stones, grass, bush, tree etc. resources.

a + parNa → aparNa refers to not of earth

bhRUU + Na → bRUUNa (means fetus)

mRu + t = mRut → mRutyu → mRuttika → mRutbhaanDa (earthen pot or clay pot.

vRu + Na → vRuNa

aa + karSha + Na → aakarShaNa

aa + gharSha + Na → aagharShaNa

sRu + na → sarNa; sRu is the root alphabet object class and concept for many words like sRujana, sRuShTi, sRuta, sRuti leela, sRuja, sRujana, sRushakti, sRumoola.

ShRu + ti = shRuti

smRu + ti = smRuti

smRu → smara → smaraNa

jaata Shruthi and jaata smara are the extraordinary powers of the great Rushis. Abhimanyu was also a jaata smara, as he heard the early part of chakravyooha configuration presented by KruShna to his sister when abhimanyu was still in her womb. Jaata poorva shRuthi was the power of abhimanyu to have heard still in the mother's womb.

With the genes carried by all humans and other living beings, it empowers jaata shakta

varya

arya

aarya

varma ← vRu + ma; note that other words and concepts that has vRu as root are: vRut, vRutta, vRutti, vRudhdha. vRuma or varma refers to someone who has a special vocational skill or even an expert

sharma ← shRu + ma

karma ← kRu + ma

shRungEri ← a place that is at the shRunga or peak

Rushya shrunga → referred to a Rushi at the peak of knowledge and a peak 9at the top) of all Rushis

vaishya shRunga refers to someone who is at the top in vaishya vRutti or expertise and the best among all vaishyas

karma shRunga → one who is at the top of people who are in the profession of karma

shoodra shRunga

kshatriya shRunga

datta vijnyaana shRunga – Top data scintist

bhouta vijnyaana shRunga

yakshagaana shRunga

sangeeta shRunga

naaTya shRunga

naaTaka shRunga

dra kaara antya (dra kaara at the end used as a suffix)

udra

ruDra

indra

aadra

aaridra

chandra

chidra

daridra

daaridrya

nidra

bhadra

mandra

mudra

vandra

laandra

shuudra

samudra

kShudra

da and dha kaara antya (ending in da or dha used as a suffix)

prasaada ← pra + saada

hasaada

vaada

vEda

vivaada

vaidya

aadi

aadya

khEda

khaadya

guda

gOda

chidaananda

chanda

cHanda

cHOdya

pada

paada

prada

bOdha

bhEda

budha

budhdhi

bandha

mada

mOda

manda

yudhdha

yudhiShTira

yOdha

yaada

raadha

rOdha

vadha

vEda ← vida ← vid

vidvaana

vidvamsha

vidvaansa

vidooshi

vidganga

vEdaanga

shudhdha

shOdha → shOdhana

shradhdha

shreedha

dhRu + ma = dharma

dyum + na = dyumna

dushTadyumna

pradyumna

sudyumna

abhidyumna

atidyumna

kaaladharma

yugadharma

sthaLadharma

raajyadharma

raajadharma

dEshadharma

pradEshadharma

sanghadharma

vishEShadharma

kRuShidharma

Rushidharma

raakShasadharma

abhaavadharma

raNarangadharma

vyEshyaadharma

kshatriyadharma

braahmaNadharma

shoodradharma

matadharma

mataantaradharma

svadharma

paradharma

daityadharma

kouravadharma

paanDavadharma

kRuShNadharma

parashuraamadharma

raavanadharma

vibheeShaNadharma

vaiShnavadharma

shaivadharma

vaamanadharma

balidharma

vaalidharma

sugreevadharma

ahimsaa dharma

Marx Dharma

prajaa prabhutva dharma

dictatorship dharma

chaos dharma

samudra vaasi praaNi dharma

praaNi dharma

krimi keeTa dharma

orchid dharma

maamsaahaari dharma

sasyaahaari dharma

hamsa kshEEra nyaaya dharma

aNu-paramaaNu dharma

bacteria and microrganism dharma

genes dharma

shtree dharma

puruSha dharma

vRudhdha dharma

shishu dharma

yuva – youvana dharma

paraashara dharma

Eka patni – Eka pati dharma

bahupati – pahupatni dharma

mam kaara

mangaLa

manchOdana

manchara

manchaara

manchalana

mamchaalana

mancHaatra

manchira

manchitra

manjaata

manjita

manjaatra

manjHEnkaara

manTapa

mantapas

mantaapa

manTOpa

mantra

manThapaaTa

manDooka

maanDOkya (upanishad)

manDodari

manDana

manDhaamba

manDhaabhikata

maNi

mantumala

mantimira

manteera

mantri

mantra

mantila

mantaila

mantuShaara

mantaariNi

maanD (raaga)

manda

manthana

mantaana

mati

mata

maata

mantOlana

mandaara (pushpa)

mandira

mandra (lower octave in music)

mandEva

mandaiva

mandaya

mandaana

mandhyaana

mandhEnu

mandara

mana

maana

mEnaka

mOdaka

mannaarayaNa as in ShreemannaarayaNa

manpuruSha

manpita

maarpaaTu

manpurOhita

maNipura

manpreeta

manpOshita

manpaasha

manaapOsHana

manprOkShaNa

manphala or mamphala

paraashara ← para + aashara ← para + aa + shRu

aa + shRu = arsha as in arsha vidyalaya

hRuh + a = harSha

vRudh + na = vardhana. Example names: harSha vardhana and vardhamaana

harih + chandra = hariShchandra

laanchana

laaghana

hasta

baahu

paada

vakShastala

shira

pRuShaTha

udara

nayana

karNa

kEsha

naasika

jihva

kapaala

lalaaTa

nEtra

danta

rakta

adhara

unguShTha

kanTha

mastiShka

hasta rEkha

charma

paaNi

praaNi

krimi

keeTa

sahasra paada

markaTa

ashva

gaja

mooshika

garuDa

pakShi

kOkila

kaaka

shvaanasimha

kEsari

basava

gaardabha

nandi

pashu

vaanara ← vaa + nara

sarpa

naaga

phaNi

kampana

bhookampana

parvata kampana

agni parvata

giri

nadi

sarOvara

jalapaata

saagara

samudra

kholli

khaari

samudra teera

neelOpala

graahavati

vElaakula

vahana → vaahini

jala

dharmasya glaani

damayanti - damayanta

shamavanti – shamavanta

kShamavanti - kShamavanta

madhuvanti – madhuvanta

daanavati

satyavati – satyavanta

vinayavanti – vinayavanta

shRungaaravanti – sHrungaaravanta

jaambuvanti – jaambuvanta

geetavati or geetavanti

harShavanti

smita bhooShiNi

smRu + ti = smRuti

jaata smara

bhoota smara- bhootasmRuti – bhoota smarana

trikaala jnaani versus trikaala glaani

trikaala magna

Words with mee as the root object class with different category of suffixes and prefixes modifying and qualifying the root alphabet object class differently by Boolean intersection and thus resulting the words implying different meanings.

mee + na = meena. Here, mee in the root alphabet object class. na is the suffix modifier or qualifier.

mee + ra = meera. Here, mee in the root alphabet object class. ra is the suffix modifier or qualifier.

mee + pa = meepa. Here, mee in the root alphabet object class. pa is the suffix modifier or qualifier.

You may be familiar with the word “sameepa” which is a prefix modified word with sa as the prefix for meepa

You may be familiar with the word “sameera” which is a prefix modified word with sa as the prefix for meera

FYI, the other suffix modifiers ate:

ka as in yaatrika, tOShaka (also paari tOShaka), sanchaalaka are examples of qualification or modification by ka as a suffix.

kha as in mukha, prakhara, mukhaari, shaakha sakha, are examples of qualification or modification by ka as a suffix.

ga as in mRuga, khaga, bhaga, are examples of qualification or modification by ga as a suffix.

gha as in maagha, mEgha, amOgha, raghu, bRughu are examples of qualification or modification by gha as a suffix.

kEsari is the anvartha naama (metaphorical name) for a lion, as it has has a stylish and distinguished hair on its neck and shoulder area.

The name for saffron in samskritam is also kEsari as the hair like part of the flower, that is used as a food colorant and also for its fragrance, while medicinal applications are also valued.

The name of the color of the saffron is also adopted from the color of the saffron. Saffron also happens to be the iconic and symbolic color of sacrifice. sanyaasins, saints, Rushis, gurus and sages fashion themselves with the kEsari color to be iconic representation and their daily life of sacrifice.

sim + ha = simha – mighty or most powerful

simha kaTi = the narrow waist line of the lion. Lion has a narrow waist line. A lady with a narrow waist like is called a simha kaTi.

sim +la + simla

sim + dhu = sindhu the river. KaruNaasindhu refers to someone flowing with and giver of karuNa. Sim also refers something that is mighty, where sindhu refers to a mighty river.

mam + gaLa = mangaLa. Here, mam refers to sacred, auspiciousness, ambiance of shubha and precious occasions in life, properties of objects associated with such qualities.

mangaLa vaadya refers to music played with instruments that invokes shubha and auspiciousness.

mandaara is a flower revered for bringing out auspicious feelings.

mandara was a mountain that kRuShana lifted up in one hand according to the mythology and miraculous powers demonstrated by him as a young man.

mandira refers to a temple or any other sacred place.

mRoo + ta = moorta. mRoo is the root object class class that is qualified or modified by the suffix ta, referring to something that happened.

mRoo is a elongated (deergha) vowel form that is different from mRu (hrasva or the short vowel form)

mRoo + ti = moorti, meaning image or statue. The word moorti itself could be a word and concept qualifier as a prefix word used as an adjective. Examples are below:

moorti pooja

moorti roopa

and as a suffix qualifier are these examples: kRuShNa moorti, naaraayana moorti

shampa, jhampa, champa, pampa, kampa,

khani + ja = khanija meaning mined metals. khani is a mine. ja refers to being born. khanija is the word that are born and taken out of a mine. Even coal is khanija in its origin from a mine.

Surpringly, kha refers to the space above or outer space. Another word for outer space is baahyaakaasha. Many khanija or minerals may have come from outer space in meteor impacts on earth. Even water of the oceans and lakes may have descended on earth carried by meteors that carried a lot of ice. Numerous such impacts may have taken place in the earth history, to have two third of water surface of the earth covered with many oceans combined. Ocean is a storehouse of not only water and also many mineral deposits.

agaNita aNugaNa bharita brahmaanDa manDalam

bRuhat dikvikaasa kaaraNa shakti digvijayee antyE

gurutva aakarShana heenaavasthaa adhO grastavaan

samyama ← sam + yama – ya refers to the super or meta dimensions of space-time.yama refers to operating in space-time. yam = where and when. yam brahma varuNEndra, rudra …..

samyama is good and balanced attitude in the present time and space or anywhere and anytime.

sim + chana = sinchana

shRum + kaara = shRungaara

param+ dhaama → paramdhaama

sudhaama

antardhaama

gOchara is different from gOcharana

agOchara

Rudh → rudh + dha = rudhdha

nirudhdha

anirudhdha

varya → vaarya → nivaarya → anivaarya

amara simha

samara simha

kumaara simha

anulambi

svaavalambi

avalambi

yaayi

anuyaayi

dat + ta = datta

daata → sarvadaata

tat + ta = tatta

anu + datta = anudatta

vaata + aatmaja = vaataatmaja

pitta + aatmaja = pittaatmaja

pita + aatmaja = pitaatmaja

maata + aatmaja = maataatmaja

tat + aatmaja = tadaatmaja

brahma + aatmaje = brahmaatmaje (sarasvati)

sarva + pita + aatmaja = sarvapitaatmaja

sarva + antaryaa + mi = sarvaantaryaami ) Here ya refers to the space-time and all the super dimensions

santata + yaa+ mi = santatayaami

sva + a + mi = svaami → sarvaantaraswaami

nirantara + yaa + mi = nirantarayaami

vishwa + antara + yaa + mi = vishwaantarayaami

raa kaara

raaNi

raaja

raajasa ← of or related to rajas

raadha

raaga

raaghava ← of or belonging to raghu

raaNa ← of or related to raNa (war) as in raaNa pratapa simha

raama

raaya → raayabhaara

raashi

raasa – of or related to or full of rasa

raaShTra

raakShi ← of or related to rakShi

raakShasa

svasambhava

Murthy's Review of Amara KOsha

Many of you may be familiar with the legendary amara kOsha in samskritam, which is a compendium or thesaurus of the samskritm word vocabulary. amara kOsha is made up of many vargas which group words with similar meaning or context in a stanza, all in poetry.

The vargas are:

Varga contents

1 Svargavargaḥ

Heaven, Gods, Demons, their arms, ornaments, symbols or vehicles,

and other attributes, Fire, Air, Velocity, Eternity, etc.

2 Vyomavargaḥ

3. Digvargaḥ

Directions, Deities of the directions, elephants at the points, their

female elephants, Cloud, thunder, lightning, rainbow, Rain, hail, rainy

day, cloudy day, Moon, types of light, frost, Stars, Planets, sunset,

dawn, sunlight, etc.

4 Kālavargaḥ

Time, day, night, variations of the moon, eclipse, second, hour, months,

year, Weather, seasons, Happy, Sorrow, Soul, Mind, etc.

5 Dhīvargaḥ

Individuality, consciousness, knowledge, sense, organs, tastes,

fragrance, colours, etc.

6 Śabdādivargaḥ

Sarasvatī, voice, word, Vedas, Vedāṅgas, stories, legends, sound, types

of sounds, speech, musical sounds, song, ornament's sound, etc.

7 Nāṭyavargaḥ

Seven musical tones, Musical Instruments, dance, theatrical characters,

sentiments, desire, affection, kindness, Festival etc.

8 Pātālabhogivargaḥ

The infernal region, hole, darkness, Snakes, kind of a serpent, parts of the snake,

etc.

9 Narakavargaḥ

Hell, various hells, departed souls, pain, etc.

10 Vārivargaḥ

Water, Ocean, wave, whirlpool, shore, channel, island, boat, voyage,

pilot, deep, fish, fisherman, net, fish basket, hook, etc., types of fishes,

Aquatic animals, crab, turtle, etc. Well, pond, types of ponds, River,

Names of rivers, water plants, lotus, water lily, etc. Parts of these

plants etc.

Veda Vyaasa was also known as "kRuShNa vaishampaayana"

vaishampaayana = vaishampa + aayana

vishmpa → vaishampa

vi+ shampa → vaishampa

sham = bliss
sham + pa = shampa; The root letter sham refers to bliss. Example: sham + kRu (kara) = shankara; sham + kRu = shamkara, meaning one that makes bliss happen.

cham + pa → champa; Example: champaka flower called sampige in kannaDa language.
cham + chala → chanchala

pam + pa = pampa. Pampa was a great Kannada poet, also called an aadi kavi, meaning the first kavi.

pam + kuru = pankuru

pam + ka → panka + ja → pankaja

kam + pa → kampa → kampana

jham + pa → jhampa

jam + gha → jangha as in janghabala; jangha bala refers to the life force. In Chinese, it is chi referring to the life force.

jam or jan + ma → janma = life
bam or ban +dha = bandha → bandhana > bandhu > baandhava

sim + cha + na → sinchana

shambhu

shaambhavi

shantanu = sham + tanu

gam + ga → gamga

gam → gaNa; gaNa = elements
gaNaanaam = For or of all the gaNa group.
gaNapati is the chief of all gaNa group.

tru
maatRu
pitRu
bhraatRu

tri as in gaayatri and saavitri
tri as in atri

tRum → tRuNa
tRuh or tR: + Na → tRuShNa

jRu → jara
a + jRu → ajara

ni: or nih + jara → nirjara

dvi → di + va → diva → dEva

da: or dah → daha → dahana

v: or vah → vaha → vahana → vaahana

vRu + ma → varma

vRu + t = vRut
vRut + ta = vRutta
aa + vRutta = aavRutta
aa + vRutti = aavRutti
vRut + ti = vRutti
ni+vRutti = nivRutti

kRuh +i = kRuShi

kRuh + sha = kRusha

vinyaasa lEkhana is a calligraphic artwork. Vinyaasa lEkhana shastra = The subject or discipline or art or expertise of calligraphy.

nRu → nara → naara + aayaNa = naaraayaNa

nRu + pati → nRupati
vi + bhava → vibhava → vaibhava

khRu → khara

khRee – khari → vaikhari

kholli and khaari

In one sense, The south Indian part is itself a Bay, a very large bay, especially when you view from the perspective of the Asia continental land mass. India is called a “jamboo dveepa”.

am kaara with different vyanjana alphabets examples

vaishampaayana = vaishampa + aayana

vishmpa → vaishampa

vi+ shampa → vaishampa

sham = bliss
sham + pa = shampa; The root letter sham refers to bliss. Example: sham + kRu (kara) = shankara; sham + kRu = shamkara, meaning one that makes bliss happen.

cham + pa → champa; Example: champaka flower called sampige in kannaDa language.
cham + chala → chanchala

pam + pa = pampa. Pampa was a great Kannada poet, also called an aadi kavi, meaning the first kavi.

pam + kuru = pankuru

pam + ka → panka + ja → pankaja

kam + pa → kampa → kampana

jham + pa → jhampa

jam + gha → jangha as in janghabala; jangha bala refers to the life force. In Chinese, it is chi referring to the life force.

jam or jan + ma → janma = life
bam or ban +dha = bandha → bandhana > bandhu > baandhava

sim + cha + na → sinchana

Simple Quizes for the Reader & Students of SamskRutam

What is common between: vyaasa, bhaasa, maasa, raasa, nyaasa, mOsa, traasa, graasa, praasa, daasa, vaasa, shaasa, haasa?

Answer: The suffix alphabet "sa" which modifies the root alphabets before "sa", called the object class single alphabet.

vRu > vara = special gift or boon
vRusHThi = pouring in a gift pattern
varada = Gift grantor

varada + ranga = varadaranga
varada + raaja = varadaraja

vara + kavi = varakavi (gifted poet)
vara is also especially used for the groom to be married

vid > vEda
vid > vidya > vEdya > vaidya

vi (vishEsHa also variety of ) + bhava = vibhava
vi + vidha = vividha

ga + ta = gata (gone)(also dead, past tense)
gata kaala = past days or past time
gata vaibhava = past glory

sva + me > a to aa to make it of or related to > svaami
> svaamya

dhana (positive) as opposed to RuNa (negative)
dhana > dhanya > dhaanya
(+ta = dhanyata)

guh > guha > guhya
guru + guha = guruguha (a pen name of musical genius mutthu swaami deekshitar)

Think of these words:
shuka, shubha, shuchi, shunaka, shudhdha, shukla

These words have "shu" as the prefix modifying the following alphabet.

archa -- archaka, archana, archita all from Ru + cha = rcha

KRS Murthy samskRutam Etymology to single alphabets, the highest level single letter root object class.

Root Alphabet : kam = k kaara + am kaara

kampa
kanda
kanTha
kanka
kanga
kanta
kamsa
kambha

With the above examples, could you define the root level object class alphabet "kam"?

KRS Sri Murthy's Etymology Notes
am + ta = anta
am +anta = ananta

KRS Sri Murthy's Etymology Notes

chatra <-- cha + tra
with transformation to: of or related to by converting from a (hrasva vowel) to aa (deergha vowel)
chaatra (under the auspicius under the shelter or patronage)
chatri = umbrella (shelter)
chatra is also used for shelter for living and food and general care.
In parts of India, chatra also refers to marriage choultry or marriage hall, with living and cooking/eating facilities.

KRS Sri Murthy's Etymology Notes

bhraatRu (brother) <-- bhra + tRu with transformation to: of or related to by converting from a (hrasva vowel) to aa (deergha vowel) - bhraatRu

ma + tRu = matru --> with transformation to: of or related to by converting from a (hrasva vowel) to aa (deergha vowel) --> maatRu

pi + ta = pita; also pitRu = pi + tRu

KRS Sri Murthy's Etymology Notes

dah --> daha (burn)
daha +na = dahana (process of burning)
daaha = thirst (lack of water) a to aa transformation from daha (of or related to burning).

KRS Sri Murthy's Etymology Notes

bRuh + t = bRuhat (big or gigantic)

bRuhat + eeshara = bRuhadeeshvara

KRS Sri Murthy's Etymology Notes

ghRu + ta = ghRuta = ghee or clarified butter

KRS Sri Murthy's Etymology Notes

svah --> svaha (self)
with transformation to: of or related to by converting from a (hrasva vowel) to aa (deergha vowel)
shaaha meaning making it owns own

svam + ta = svanta (one's own)

KRS Sri Murthy's Etymology Notes

nam + da = nanda (nanda was kRushNa's adopted father. Nanda is happiness or good time

kRushNa was nanda nandana (someone who made nanda very happy.

nandana + vana = nandanavana (Garden of happiness}

su+ nanda = sunanda

nandana is someone who makes others or everyone happy..
nandini is the feminine version of nandana

Krs Murthy's samskRutam Etymology: roots to single alphabet object class

dvi (twice) + ja (born) = dvija (twice born)

Examples of dvija:

1. A bird is born twice, first as an egg and then coming out of the egg
2. A butterfly is born as a worm and then again born by coming out of the cacoon.
3. Humans who are born as a child, and potentially spiritually reborn upon enlightenment
4 One does not have to be necessarily a brahmaNa to be called a dvija. Anyone attain enlightenment. basavaNNa was enlightened and thus became a dvija,who also was born to brahmaNa parents. akka mahaadEvi was a dvija. Many spiritually enlightened like Jesus Christ, Budhdha, Mahaaveera Jaina, Guru Naanak etc. were dvijas. Even prophet Mohammad became a dvija.

Secrets of words ending in tra?
yantra, tantra, mantra, sootra, yaatra, patra, paatra....

Secrets of more words ending in tra?
gOtra, mootra, putra, pavitra, gaatra, kutra, ...

mRu is a root letter that gives rise to many words:
mRuta, mRuga, mrUsHTha

mRuta = dead (returned to earth or became earth)

mRu + ta = mRutha
mRut gachchati mRugah
That walks or navigates on earth is a mRuga = animals, insects and humans
mRutyu = death

mRoo + ta = moortha
moorti < mRoo + ti

dat + ta = datta (means given).
The word data in English refers to information given.
ut + datta = udaatta
ut = up or forward (as in uttara)
udaatta means Forward act of giving, as in udaatta manObhaava. udaata could also be used for a donor or grantor as an adjective.

KRS Sri Murthy's Etymology Notes

sam + aarOha = samaarOha
aaroha = mounting up, trending up, progressive.
as opposed to avarOha = trending down, stepping down

KRS Sri Murthy's Etymology Notes

trup +ti = trupti (satisfaction)
ga + ti = gati (speed, pace, result - as in durgati

KRS Sri Murthy's Etymology Notes

khru -> khara
khruhara ->kharahara
kharahara priya raaga

KRS Sri Murthy's Etymology Notes

gRu -> gara or gar referring to abode, home, shelter
gRuh or gRuha
Notice the Hindi word ghar for home, and gharvaala or gharvaali for home resident or owner.

na+ gRu = nagRu -> nagara (meaning city or town). India has numerous cities or towns with names having nagar or nagara in them, for example Ramanagara or ramnagar, gaandhi nagar .....

nagara or nagar --> naagari (of or related to nagar) with a to aa transformation.

dEva + naagari is the language of the dEvas or gods. Samskritam is called the language of the gods with the name dEvanaagari.

Many Indian languages in both north and south India (except Tamil) use dEvanaagari script or alphabet structure.

In fact malayaaLam has 54 alphabets (with the two letters il and in from dravidian roots), whereas kannaDa and telugu have 52 alphabets.

Ksha, kShi, kShu, kShE kaara Etymology

kah > kSha, kShi is a feminine gender version of kSha; kShu is the neutral gender.

a+ kSha = akSha (Axis) or axis of reference.

ka + kSha = kakSha = axis of rotation (of earth, other planets, sun etc.)

Another meaning for the word akSha is the eyes, whereas akShi is the feminine gender version.

Examples:

karuNa + akSha = karuNaakSha

kaTa + akSha = kaTaakSha

phaala + akSha = phaalaakSha

kaaLa + kaaLaakSha

kaama + akShi = kaamaakShi

meena + akShi = meenaakShi

chanchala + akShi = chanchalaakShi

naLina + akShi = naLinaakShi

kOmala + akShi = kOmalaskShi

chakShu is the eyes also meaning perspective or sight

bahir + chakShu = bahirchakShu refers to outer eyes. Examples: telescope, microscope, spectacles, Virtual Reality, Augmented Reality

svatah + chakShu = svatahchakShu = refer to the two eyes

antar + chakShu = antarchakShu = Inner eye or yogi's inner sight or even insight.

dha + kSha = dhakSha = capable or supremely capable.

gava + akSha = gavaakSha = chimeney

pakSha refers a side in a two or more sides of teams. For example, pakSha is used for a political party like the democratic pakSha.

poorva + pakSha = previous pakSha or previous side.

pakSha, svapakSha (one's self pakSha) and pratipakSha (one's opposite or alternative pakSha).

pa + kShi = pakShi = bird

lEpaakShi = is a historic city full of sculptures and statues in and around ancient temples

sa + akShi = saakShi = saakShya = eye witness and particularly civil and criminal law suits.

pakSha paata = siding on one side in a dispute

bhakSha or bhakShya = gourmet item, especially a sweet.

nakSha = map

nakShatra = a star in the sky

nakShatrika = Someone who follows you wherever you go (like a star in the sky)

rakSha = protection or escort

pratyaksHa = prati + akShya = directly, also used if someone magically appears in front.

parOkSha = para + ukSha = indirectly and not visibly doing something beneficial.

mokSha = salvation

sam + eekSha = sameeSkha = positively awaiting for someone.

yakSha = angel who travels or traverses in space and time very freely and not tied physically to space-time constraints.

lakSha = name given to 100,000, similar to the word million = 10,00,000

lakShya (attention) and alakShya (no attention at all)

vakShya = chest or heart.

shikSha = punishment

pari + eekSha = pareekSha = test or examination

kShiti

kShitija

kShama = mercy, mercy submission > akShamya = Not worthy of mercy

kShaama

kShEma

ikah or ik: + vaaku = ikShvaaku

ukSha

para + ukSha = parOkSha

kShObha

kShudra

kShaNa

kSheeNa

akShOhiNi sainya ( army size to the horizon in a war field) = akShuh > akShoha > akShOhiNi

kShEtra

kShEtrajna

kShaatra dharma = warriors dharma

kShatriya = warrior class or caste

kShaga

sarasijaakSha (sarasijaakShi is the feminine version) = Eye as beautiful as the lotus

ambujaakSha and ambujaakShi

kaTaakSha

sahasraakSha = one with thousand (or actually 1000s or infinite) eyes.

DhaambaakSha = one with pompous eyes

kaamaakShi = sexy eyes

sankuchita (small or narrow) + akShi (eyes)= sankuchitaakShi = eyes narrow or small, similar to the oriental eyes of Chinese, Japanese, Korean, Vietnamese, Filipino, Cambodian, Thai etc.

madhuraakShi = sweet or beautiful eyes

deekSha = Some one who has taken a wow a particular discipline.

deekShit = a Brahmin's name who has taken the wow and life style of a discipline of pursuit.

kshEpa = Spending time or utilizing time > kaala kShEpa; kathaakaalakShEpa = spending or utilizing time to listen to (interesting) stories.

kshipra = urgently

kShipta > sam + kShipta = sankShipta = brief as in a brief presentation or write up.

teekShNa = intensly

tatkShaNa = immediately

marukShaNa = slightly later

dakSha = capable or supremely able

andhaakSha = blind eye

prOkShaNa = sprinkling from top = pra + ukShaNa

adhoukShaNa = adho + okShaNa = sprinkling from bottom

phaalakSha = one who has eyes on his or her forehead = normally attributed to God Shiva or Goddess kaaLi; This is in addition to the two eyes.

bhakShya = a special gourmet food normally referred to a sweet item or desert in special occasion meal and also in festivals or marriages

bhakShaNa = eating

mOkSha = salvation

eekSha > sam + eekSha = sameekSha (conference or conferring of mind or eyes

yakSha and yakShi (Feminine) is an angel able to traverse without any limitation of space and time, instantly or at will.

rakSha = protection or escort or defense

rakSha mantri = Minister of Defense

rakShaNa = defense or protection

rakSha bandhan is a popular Indian festival celebrated especially in the Northern India when youth, men and women tie a vow colored and decorated string on to the wrists of friends and relatives as a vow of mutual protection or brotherly and sisterly mutual friendship.

raakShasa = an evil person with special or extraordinary strength and evil mind and evil acts.

lakSha = is a number in Indian counting = hundred thousand = 100,000

lakShya = attention to a topic or a thing

vakSha = Chest or heart.

veekShaNa = vi + eekShaNa = seeing with special attention and special intention

vRukSha = Tree

shikSha = discipline or punishment

saakSha or saakShi = witness

maNi + ka = maNika > maaNikya

veeNam = Musical Instrument with multiple strings suspended between two ends. The strings are plucked to produced. The sound reverberates in resonance or sympathetic vibration with a cavity and other strings that may not be plucked.

Upala – similar to or analogous to. upala is a similar to upama (which is a figure of speech)

aalayam = home or abode

teem = you

maatanga = name of a Rushi

kanyaam = daughter

satataam = always. The two ta indicates repeatedly. sa = good or well

smaraami < smara < smRu. smaraami means I will remember or meditate

vasih + Tha = vasiShTha (One of the illustrious seven sages

a + rum + dha + ti = arundhati (vasiShTha maha Rishi's wife,

arundhati is a star in the sky that always follows vasiShTha star in the sky.

The four directions in addition to and in between north, south, east and west.

ag + ni = agni; agni > agnEya

ni + Ru + ta = niruta > nairutya

ee + sha + na = eeshaana > eeshaanya

vaa + yu + va = vaayuva > vaayuvya

Beautiful Women in indra's court in amaraavati

ooh or oo: + vah (va:) = oorvasha; The feminine version is oorvashi, who was one of the most beautiful seductive goddesses in indra's court the palace of amaraavati

mi + na + ka = minaka > mEnaka who was one of the most beautiful seductive goddesses in indra's court the palace of amaraavati

ram + bha = rambha who was one of the most beautiful seductive goddesses in indra's court the palace of amaraavati

ti + lut + ta + ma = tiluttama > tilOttama, who was one of the most beautiful seductive goddesses in indra's court the palace of amaraavati.

NOTE: “lut” is derived from the svara (vowel) in samskritam. The vowel that comes after Ru (as in RuShi) and Roo. The alpa version of the vowel is Lu, with the deergha version of the vowel were part of the vowel or svara system in samskrutam, but seem to have been omitted in circulation. I do not know the context of the omission and the dates. However, the vestiges of these two vowels are in the formations and transformations of the words that contain the alphabet la in the “ya, ra, la, va ..” series.

Fortunately, the Ru vowel and its transformed version ra in the “ya, ra, la, va ..” series is still active.

Etymology with the “half consonant (vyanjana) alphabet” or seed alphabet version of the vyanjana “k” origin and also similarly “kh”, “g”, “gh”, “ch” ….. to “m” and following further through “y”, “r”, “l”, “v”, “sh”, “Sh”, “s”, “L”.

Ruk + vid + a > Rukvida > RukvEda > RugvEda.

ik > Ek > Eka > Ekata > aikyata

ik + ta = ikta > eekta

ik: or ik-h(ha) > ikSha > eekSha; apa + eekSha > apEkSha

shik: or shikah > shikSha

dhik-h(ha) > dhikSha > dheekSha

ka + kah > kakSha > kakShi also kakShu

dug > dOg > dOgdaah as is the Bhagavadgeeta “dOgdaa gOpala nandanah”

kub + ja = kubja = dwarf, referred to the vaamana avataara

lup + ta = lupta

gup + ta = gupta

kuk + kut + a = kukkuTa = a hopping bird. This is also a yOga pose.

puh + pa = puShpa

baah + pa = baaShpa (tears in the eyes) in to distinct and opposite examples of occasions:

duh + kha = duhkha baaShpa

shOka + baaShpa = shOka baaShpa (tears of sorrow)

aananda + baaShpa = annanda baashpa = (tears of extreme happiness)

shak + ta = shakta > shakti

suk + ta = sukta > sookta

vak-h > vakSha

lak-h > lakSha

yak-h > yakSha

rak-h > rakSha

sak-h > sakSha

h > ha

chak + ra = chakra = wheel

vak + ra = cooked or curved

a+ kra = akra; a + kra + ya = akraya

kra + ma = krama (order of things or procedure

aa + krama = aakrama = capture > aakramaNa

bhra + ma + Na + bhramaNa = wandering

bhramara = bee or butterfly that wanders around flying from flower to flower or garden to garden

cha + tra = chatra = shelter

chatri = umbrella which gives shelter from rain and also rain

kSha + tra = kShatra > kShatriya > kShaatra dharma

mam + tra = mantra > mantri

mantri + mam +Da + la = mantri manDala = ministers organization or configuration or network

mantra + aalaya = mantraalaya

maantrika = one with power of mantra

tam + tra = tantra > taantrika (one with expertise or skills in tantra or tantrajnaani (knowledgeable in tantra or tantra scientist).

yam + tra = yantra = machine > yaantrika (machinist); yantra jnaani = machine scientist

RuNa + kaNa = ruNakaNa = electron = RuNa gaNa = electrons or a cloud of electrons

RuNa gaNyaka = Electronics Computer or simply a computer.

Microprocessor = sookShma gaNyaka

Semiconductor = parshva vaahaka

Thermal Conductor = shaakha vaahaka

ah + am (These are the two last svaras (vowel) > aham; The root is really “ah”, where as am is a suffix alphabet that modifies the root object class “ah” to mean “the ah”, and in the subjective interpretation and meaning it is me “ah” or it is me. The derivatives of “aham” meaning “me, self or the inner soul self” are:

aham + Eva = ahamEva = me alone

aham + asti = ahamasti where asti is derived from ah + ti = asti

aham + Ekam = ahamEkam = I am one (and implying the advaita vEdaantam of “I am the only one”

ah + mi = asmi (as used or stated in “aham asmi” and extended to its full vEdantika implication “aham bRahmaasmi. Here: bRuh refers to the biggest the brahma.

uk > ook and also Ok

uk + ta = ukta and uk + ti = ukti > Okti

vEda + ukti = vEdOkti = as said in vEdas or vEdOkta mantra or vEdOkta paaTha

yuk + ta = yukta

yuk + ti = yukti

maNi + ka = maNika > maaNikya

Upala – similar to or analogous to. upala is a similar to upama (which is a figure of speech)

aalayam = home or abode

teem = you

maatanga = name of a Rushi

kanyaam = daughter

satataam = always. The two ta indicates repeatedly. sa = good or well

smaraami < smara < smRu. smaraami means I will remember or meditate

vasih + Tha = vasiShTha (One of the illustrious seven sages

a + rum + dha + ti = arundhati (vasiShTha maha Rishi's wife,

arundhati is a star in the sky that always follows vasiShTha star in the sky.

The four directions in addition to and in between north, south, east and west.

ag + ni = agni; agni > agnEya

ni + Ru + ta = niruta > nairutya

ee + sha + na = eeshaana > eeshaanya

vaa + yu + va = vaayuva > vaayuvya

Beautiful Women in indra's court in amaraavati

ooh or oo: + vah (va:) = oorvasha; The feminine version is oorvashi, who was one of the most beautiful seductive goddesses in indra's court the palace of amaraavati

mi + na + ka = minaka > mEnaka who was one of the most beautiful seductive goddesses in indra's court the palace of amaraavati

ram + bha = rambha who was one of the most beautiful seductive goddesses in indra's court the palace of amaraavati

ti + lut + ta + ma = tiluttama > tilOttama, who was one of the most beautiful seductive goddesses in indra's court the palace of amaraavati.

Fortunately, the Ru vowel and its transformed version ra in the “ya, ra, la, va ..” series is still active.

Ruk + vid + a > Rukvida > RukvEda > RugvEda.

ik > Ek > Eka > Ekata > aikyata

ik + ta = ikta > eekta

ik: or ik-h(ha) > ikSha > eekSha; apa + eekSha > apEkSha

shik: or shikah > shikSha

dhik-h(ha) > dhikSha > dheekSha

ka + kah > kakSha > kakShi also kakShu

dug > dOg > dOgdaah as is the Bhagavadgeeta “dOgdaa gOpala nandanah”

kub + ja = kubja = dwarf, referred to the vaamana avataara

lup + ta = lupta

gup + ta = gupta

kuk + kut + a = kukkuTa = a hopping bird. This is also a yOga pose.

puh + pa = puShpa

baah + pa = baaShpa (tears in the eyes) in to distinct and opposite examples of occasions:

duh + kha = duhkha baaShpa

shOka + baaShpa = shOka baaShpa (tears of sorrow)

aananda + baaShpa = annanda baashpa = (tears of extreme happiness)

shak + ta = shakta > shakti

suk + ta = sukta > sookta

vak-h > vakSha

lak-h > lakSha

yak-h > yakSha

rak-h > rakSha

sak-h > sakSha

h > ha

chak + ra = chakra = wheel

vak + ra = cooked or curved

a+ kra = akra; a + kra + ya = akraya

kra + ma = krama (order of things or procedure

aa + krama = aakrama = capture > aakramaNa

bhra + ma + Na + bhramaNa = wandering

bhramara = bee or butterfly that wanders around flying from flower to flower or garden to garden

cha + tra = chatra = shelter

chatri = umbrella which gives shelter from rain and also rain

kSha + tra = kShatra > kShatriya > kShaatra dharma

mam + tra = mantra > mantri

mantri + mam +Da + la = mantri manDala = ministers organization or configuration or network

mantra + aalaya = mantraalaya

maantrika = one with power of mantra

tam + tra = tantra > taantrika (one with expertise or skills in tantra or tantrajnaani (knowledgeable in tantra or tantra scientist).

yam + tra = yantra = machine > yaantrika (machinist); yantra jnaani = machine scientist

RuNa + kaNa = ruNakaNa = electron = RuNa gaNa = electrons or a cloud of electrons

RuNa gaNyaka = Electronics Computer or simply a computer.

Microprocessor = sookShma gaNyaka

Semiconductor = parshva vaahaka

Thermal Conductor = shaakha vaahaka

aham + Eva = ahamEva = me alone

aham + asti = ahamasti where asti is derived from ah + ti = asti

aham + Ekam = ahamEkam = I am one (and implying the advaita vEdaantam of “I am the only one”

ah + mi = asmi (as used or stated in “aham asmi” and extended to its full vEdantika implication “aham bRahmaasmi. Here: bRuh refers to the biggest the brahma.

uk > ook and also Ok

uk + ta = ukta and uk + ti = ukti > Okti

vEda + ukti = vEdOkti = as said in vEdas or vEdOkta mantra or vEdOkta paaTha

yuk + ta = yukta

yuk + ti = yukti

“jna” kaara series

This jna is the fifth alphabet in the cha, cHa, ja, jha series jna

The root or seed alphabet is jna which transforms to jnaa

jna refers to knowledge or wisdom

jnaa + na = jnaana

jnaa + ta = jnaata

a + jna = ajna

ajna + na = ajnaana

ta + jna = tajna

ya + jna = yajna

ma + jna = majna

jnaa + pa = jnaapa

jnaa + pa + ka = jnaapaka

vi + jnaa + na = vijnaana

su + jnaa + na = sujnaana

abhi + jnaana = abhijnaana as in “abhijnaana shaakumtala by the Master Poet of Analogy KaaLidaasa

ubhaya + jnaana = ubhayajnaana (knowledge on both sides of the debate or argument or thesis in a subject or all subjects. The great ManDana Mishra's wife was reputed as “ubhaya bhaarati”.

ja series

jada

japa

jaka

jaga

jaaji (flower)

jaayi (fruit) (kaayi)

jaTa

jaNa

jata

jaata as in jaata smara

ajaata; ajaata shatru

jana

nirjana as in nirjana pradEsha

japhala

jaba as in jabaali

jama

jaimani (bhaarata)

jaya

jara and nirjara

jala

jaali (tree)

jaava (Island along with Sumatra Island)

jasha (also used as yasha)

jasa

jaha

jaLa

jakSha

vih + va = vishva

va + ha = vaha

vaha > vaaha > vaahana

vi + vaaha = vivaaha

vah + ti = vahati

vah + a = vasa

vasa +ti = vasati

vasa > vaasa

ni + vaasa = nivaasa

va + su = vasu

dhRu > dhara

vasum + dhara = vasundhara (mother earth which holds or bears all life)

vasu + dEva = vasudEva > vaasudEva

im + ga + la = ingala > ingaala (carbon)

pim + ga + La = pingaLa

kam + ka = kanka (another name for yama)

kam + ka + Na = kankaNa

im + cha + ra = inchara

Feb 06 2019

Fundamental Root Search in Murthy's samskRutam Etymology

This session explains ways to understand and comprehend the complete meaning of the different fundamental root classes of the samskRutam alphabets, both svaras (vowels) and vyanjanas (consonants), the anunaasikas (the alphabets that are spoken partly by the tongue and mouth, and essentially also through the nose, and the anusvaras and also the visargas.

My etymological paradigm is made very simple for even novices and students of samskRutam to be able to attempt and derive insight into the language of samskRutam. Experts in the language, not yet completely proficient in the linguistics and etymological insights could employ my methods.

Additional benefits of Murthy's samskRutam etymology include formation of new two alphabet words, words of 3 to 5 alphabets, words combinations and also permutations. The permutations and combinations approach at 2 alphabets and higher number of alphabet words, and also such operations at multiple words automatically enhances oratory, compositions in all literary genres, especially poetry, poetic thought processes, poetic writing, poetic oratory and holistic creativity.

I will illustrate my methods step by step for two alphabet words, and further words with three alphabets.

Step 1.

Let us pick five examples of two alphabet words, with Na, na or ma as the suffix alphabet:

kaNa
kRuNa > karNa
kuNa > kONa
kah or ka: + Na = kaShNa
kRuh or kRu: + Na = kRuShNa

Notice that I have not only taken words with Na as the common suffix, and also chose the root main or seeding alphabets of k of different vowels, to understand the variations.

Step 2.

Na in the suffix common to all the chosen five two-alphabet words implies property of an action.

kaNa is a particle, which word expression could be used for the elementary particles in nature. Na as a suffix brings in the “property part” of being a particle.

kru the root alphabet implying action or work, as in kar, karO and kara. kar in samsKrutam and Hindi is “do”, an action. “karO” in Hindi and also sanskRutam is calling some for an action. “kara” as in Hindi, samskRutam and many of the Indian languages is an object or person that does the action, as in prabhaakara or divaakara for the Sun, which creates and gives the light. karaNa is the abstract noun form of the action word or the verb “kar”.

ku in “kuna” implies acuity, narrowness, inferior, smallness or subordinate. For other examples of words derived from ku or kum are kubja = dwarf, kunTha = lame, kunThita = lameness, kumbha = a vessel with a narrow neck, kuggu in Kannada is bending down or reduce in height. The Na in kuNa is the property of being ku (as in various examples given in the previous statements. kuNa > kONa. KONa is an acute angle in general, as in the three angles of a triangle. A triangle is called “trikOna” meaning “three angles” in samskRutam and many of the Indian languages. Kona is an angle restricted by the straight lines making up and defining the limits of the angle. Again the suffix alphabet Na brings in and defines a property.

kah or ka: is commonly the seed root alphabet for the word “kaShTa” < kah or ka: + Ta. This is similar to Na instead or in place of Ta. Suffix alphabet “Ta” also brings in the “property” in the word. Ta or Na as a suffix also imply a status, a status of difficulty as in the words “kaShTa” or “kaShNa”. Another transformation to note in the words kaShNa or kaShTa is the “ah” sound in kah into “Sh” sound upon transformation. “ah” svara transforms to one of the three: s, sh, Sh

kRuh is the seed root alphabet implying action and especially judicious action. Combined with the following suffix alphabet Na, which you have already noticed as in the previous examples, the word “kRuShNa”, as in the Mahabharata epic is an icon of “action”, and the “right action”, also called the dharma in Indian tradition. The word kRuShNa is both the property and the person who is the symbol of action.

Fundamental Root Search in Murthy's samskRutam Etymology

I will illustrate my methods step by step for two alphabet words, and further words with three alphabets.

Step 1.

Let us pick five examples of two alphabet words, with Na, na or ma as the suffix alphabet:

kaNa
kRuNa > karNa
kuNa > kONa
kah or ka: + Na = kaShNa
kRuh or kRu: + Na = kRuShNa

Notice that I have not only taken words with Na as the common suffix, and also chose the root main or seeding alphabets of k of different vowels, to understand the variations.

Step 2.

Na in the suffix common to all the chosen five two-alphabet words implies property of an action.

kaNa is a particle, which word expression could be used for the elementary particles in nature. Na as a suffix brings in the “property part” of being a particle.
kru the root alphabet implying action or work, as in kar, karO and kara. kar in samsKrutam and Hindi is “do”, an action. “karO” in Hindi and also sanskRutam is calling some for an action. “kara” as in Hindi, samskRutam and many of the Indian languages is an object or person that does the action, as in prabhaakara or divaakara for the Sun, which creates and gives the light. karaNa is the abstract noun form of the action word or the verb “kar”.
ku in “kuna” implies acuity, narrowness, inferior, smallness or subordinate. For other examples of words derived from ku or kum are kubja = dwarf, kunTha = lame, kunThita = lameness, kumbha = a vessel with a narrow neck, kuggu in Kannada is bending down or reduce in height. The Na in kuNa is the property of being ku (as in various examples given in the previous statements. kuNa > kONa. KONa is an acute angle in general, as in the three angles of a triangle. A triangle is called “trikOna” meaning “three angles” in samskRutam and many of the Indian languages. Kona is an angle restricted by the straight lines making up and defining the limits of the angle. Again the suffix alphabet Na brings in and defines a property.
kah or ka: is commonly the seed root alphabet for the word “kaShTa” < kah or ka: + Ta. This is similar to Na instead or in place of Ta. Suffix alphabet “Ta” also brings in the “property” in the word. Ta or Na as a suffix also imply a status, a status of difficulty as in the words “kaShTa” or “kaShNa”. Another transformation to note in the words kaShNa or kaShTa is the “ah” sound in kah into “Sh” sound upon transformation. “ah” svara transforms to one of the three: s, sh, Sh
kRuh is the seed root alphabet implying action and especially judicious action. Combined with the following suffix alphabet Na, which you have already noticed as in the previous examples, the word “kRuShNa”, as in the Mahabharata epic is an icon of “action”, and the “right action”, also called the dharma in Indian tradition. The word kRuShNa is both the property and the person who is the symbol of action.

Examples of three alphabet words with na Suffix

kaamana = kaama + na <
kampana = kam + pa + na
khaadana = khaada + na < khaa + da + na
gagana = ga + ga + na
gahana = ga + ha + na

All these words have three alphabets all ending in the suffix alphabet na as the third alphabet of the word.

As in the first set of five examples, the ending suffix Na which implies a property, here in the three-alphabet word examples, the ending suffix also implies a property.

The two-letter word “kaama” means “desire” which also includes all kinds of desire including the sexual desire also. The God of love is also called “madana” or “kaama” which is a proper noun. “kaamana” is the abstract noun for desire.
kampa is one that vibrates, the property of vibration in “kampana”, with the root alphabet “kam” with a very concept of response in time and space which could be understood by looking into other words starting with the seed alphabet “kam”. kanka = kam + ka = is another synonymous word for the Lord of Death which has a reference to space and time when death happens for a person or animal or a creature. The God is called “yama” or yama dharma raaya or yama dharma raaja. This God is an icon, epitome or law of nature.
khaa + da + na = khaadana. “khaa” is eating in many Indian languages also, with its origins in samskRutam. “khaada” is an eatable, with the word khaadya implying some that is worth eating or desirable for eating. khaadana is act or property of eating.
ga + ga + na = gagana. The first seed alphabet “ga” refers to space or outer space or simply above or beyond the earth. The suffix alphabet, which also happens to be “ga” also, implies travel or movement. There is another seed alphabet “kha” which also implies or refers to the space above the earth. The word “kha + ga” = “khaga” refers commonly to the birds which travel or fly in space above the earth. In general, “khaga” or “gaga” both in general mean traversing in space, not limited to birds, but could apply to an airplane or a rocket or a spacecraft. The word “gagana” is space, with an example commonly word combination “gagana sakhi” used for an air hostess, sakhi meaning an associate.
Gahana = gah or ga: + na. The seed alphabet is gah or ga: implies something hidden, something with a special or extraordinary or extra special meaning or secret. This single seed alphabet transforms to gaha, a two-alphabet word “gaha”, plus with the added suffix “na” implying a property.

The three-alphabet words ending in “ka”

“ka” refers in its suffix role a noun = person, place or a thing that does or takes action or takes a role.

kaaraka = kaara + ka; kara > kaara; kRu > kara

As we have seen and observed in earlier examples, the root or seed alphabet in this three-alphabet word kaaraka, “kRu” refers to action. kara is another version of kRu. Kaaraka is someone or something who takes action, affects or creates effect. kaaraNa refers to the reason for the action done or made happen by a “kaaraka”. A spiritual statement that combines multiple of these words states: Thou art the kaarya = action), kaaraNa (reason or purpose) and kaaraka or karta (doer).

gaayaka = gaayaa + ka; ga + ya > gaaya also vaadaka = vada > vaada > vaadana > vaadaka also vaadya

ga refers or implies a flow, whereas ya indicates in time and space (the space of frequencies in this case). gaayaka is the singer. vada is to make sound in this context making music with a musical instrument. Making music or playing a musical instrument “vaadya” is vaadana, whereas the musician player is the vaadaka

charaka = chara + ka; cha + ra = chara

The seed alphabet is “cha” which refers to movement. chala and chara refer to movement, motion, a procedure or a practice. ka is an object, person, or any other thing that is affecting, creating or participating in action. charaka is ancient thread making spinning instrument used for cotton to thread making. It has a wheel rotated by hand, which in turn rotates a spinner, that spins the cotton intro filaments and further to a yarn or thread.

chaalaka = chaala + ka; cha + la = chala > chaala

The seed alphabet is “cha” which refers to movement. chala refer to movement or motion. chala > chaala > chaalaka transformations result in the concept and the word for driver. A bus driver is a chaalaka, so is the driver of an automobile, even a horse cart, railway engine or a pilot.

taaraka = taara + ka; tara > taara; tara and tama

tara and tama = better and best respectively translated to English. taaraka is someone who bestows improvement or betterment. taara is the higher octave music.

bOdhaka = bhOdha + ka; budhdha and bOdhana

Teacher in general, including one who enlightens the mind.

paaduka = paada + ka; pada > paada

paada is feet, whereas pada refers to the steps of the feet. The same word is used for the word or stanza in a poem or song. paaduka refers to slippers. The spiritually aspiring and enlightened used wooden slippers, instead of leather.

maadaka = maada + ka; mada and maada

mada = an arrogant state of mind. maadaka is a drink or food that has an illegal drug quality, thus to be avoided to have a sane and spiritual mind and life.

mOdaka = mudaka > mOdaka; muda and mOda

muda is something pleasant, nice sweet or tasty. Muda also indirectly refers to smiling. mOda is someone or something that makes all happy. modaka is a sweet pocket made of dow, filled with swwet or savory filling. This dish is supposed to be a favorite of the elephant faced God Ganesh, who is also called a mOdaka priya (lover of mOdaka. It could be fried in ghee or clarified butter. Steamed versions are also enjoyed by the Gods, kids and all humans. The Mexican equivalent is Empenada. The Chinese potstickers and dumplings have similar shape and general content.

After identifying chosen suffix alphabets like ka, ga, cha, ja, Ta, Da, Na, ta, da, na, pa, ba, bha, ma, ya, ra, la, va, sha, Sha, sa, ha, La, kSha, further analyzing two-alphabet words where the chosen suffixes, only one at a time, compile them attaching the concepts and functions implied by them in a Boolean like circles. In fact, you may use any polygon shapes from a triangle, quadrangle, square included, pentagon, hexagon and beyond. One advantage of a stylized different polygons to represent the level would be different shape based connotations of the indenture group. For example, you may employ a triangle to represent ka seed root alphabet group based two alphabet words, similarly for all kha, ga, gha ….. to ma and ya through kSha. In the stage of mosaic grouping, you may consider employing quadrangles to combine all the triangular groups, thus enshrining triangles in quadrangles, and in the next stage other polygons. I will however continue to use “Boolean Circles”, for easiness in my writing. Concatenate the resulting Boolean circles into a mosaic, one comprehensive mosaic for each of the suffix alphabets analyzed and compiled. At the end of this phase, you should have one mosaic large Boolean circle within which all component Boolean circles for a given chosen suffix alphabet. The finally tally of these integrated Boolean circles, one for each alphabet suffixes should be:

Four in the ka series, as it is difficult to find words using the fifth in this series these days, even though usage may have existed at some ancient times in the samskRutam language. The four alphabets in the ka series, namely ka, kha, ga and gha would have svara appends like ka, kaa, ki, kee …. kRu, ...kam and kah or ka: Check if these individual integrated Boolean circles of different appends have potential inclusive adjacency in their concepts. If yes, place them all in adjacent mosaics and by rating of the degree of adjacency. You will have at the end of this fun exercise a mosaic of mosaics, one for each suffix alphabet. Repeat the whole exercise to include all potential suffix alphabets in the samskRutam language.
After finishing the concept mosaic and mosaic of mosaics for all in ka, cha, Ta, ta and pa series, proceed to ya, ra, la, va, sha, Sha, sa, ha, La and finally kSha.
The next important steps would be to repeat the alphabets as the seed alphabets in the root object class.
You may notice that any given alphabet has different conceptual connotation compared to the same alphabet playing the role of a seed alphabet or a suffix alphabet or still differently and distinctly as a prefix. However, the prefix categories in samskRutam language are limited. The prefix alphabets generally create the opposite, “proposite”, supporting, enhancing and even negating the alphabets combined making up words in their meaning, implication and contexts.
If you cover all potential words in samskRutam language, creating mosaics, mosaics of mosaics and a nested suite of indentured mosaic composites, till you finish four alphabet words, you have probably come to the end of etymology of samskRutam language in terms of concept and context maps.

Beyond paaNini

KRS Krs Murthy Krs Murthy Murthy Svec Sri Murthy

It would be a good idea, and the most fun exercise, if you also did the Murthy's Word Creation International. You will notice that, as in all languages, the all possible permutations and combinations of alphabets do not seem to create any meaning, except for those which are already in usage and practice both at common usage and scholarly compositions or debates. The fact that there would be many unearthed alphabet permutations and combinations, is a gold mine for creative linguistics like you and me. I urge you to dabble in this creative hobbies. You may find Murthy's Word Creation International approaches and methods may be something you and your circle of friends and scholars is your calling in life!

As we all know till now that the legendary paaNini's “amarakOsha” thesaurus is unique in the history of all languages, thesaurus concept being unique on its own, and demands all students of samskRutam, starting from tender childhood and preteen years learn it and especially memorize the voluminous compendium.

To this date the “amarakOSha” is considered to contain all words in samskRutam.

Murthy's Word Creation International approach is bound to create many words beyond Panini's compendium considered now as ultimate, limit for possible words in samskRutam and thus could never be improved. Let us all now take blessings from the great ruShi paaNini, and use Murthy's Word Creation International to create a samskRutam vocabulary and an ever growing “Beyond Panini” thesaurus.

I propose a software platform for Murthy's Word Creation International. Let us call this software platform, implementable on a laptop on a limited scale, further on private and public cloud, “samskRutam samskaaraka” in general for all scales of implementation or “pada brahma” for the cloud version.

Examples of algorithms, to include artificial intelligence (AI), all types of neural network) NN, machine learning (ML) and beyond. Block chain will be used for created words to be time stamped at the very time of creation of new words, further permutations and combinations of words creating longer and compound words.

The “pada brahma” would also create, curate, manage and be the library in the cloud, which could be called “mEgha brahma”.

A “bahu bhaashaa brahma” would compile, create further compendiums, curate, manage, all in the “mEgha brahma”, to complete the “international” concepts and aspects of the Murthy's Word Creation International. The purpose of the mEga brahma” is to help translations between languages, word and concept inspirations between international languages of the world.

Multilingual / multinational compendiums like encyclopedia, dictionaries, thesaurus, and especially machine created compendiums are possible only in Murthy's approach. The different compendiums with subject specializations would include domains, for example, technical, languages, history, geography, aerospace, agriculture, medicine and healthcare, food and drugs. All these compendiums would include multimedia, nor just text.

I am available for Zoom conference sessions, webinars and lecture series in a class and hands on workshop setting.

Good luck! Feel free to contact me generally anytime via my email: BigDataExpert@Gmail.Com or Whatsapp 14084643333 or used as a phone number

kholli and khaari

In one sense, The south Indian part is itself a Bay, a very large bay, especially when you view from the perspective of the Asia continental land mass. India is called a “jamboo dveepa”

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